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Judge, 1928-12-01 · page 18 of 36

Judge — December 1, 1928 — page 18: what you’re looking at

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Judge — December 1, 1928 — page 18: Judge, 1928-12-01

What you’re looking at

This page contains a sentimental WWI-era song with ukulele sheet music, reflecting the popular culture of the 1910s-20s. The composition by H.W. Hanemann presents a narrative song about a soldier departing for war, told across three verses depicting: his leaving, battle, and his return home. The decorative elements—a cherub trumpeter and a "Two Time Cottage" illustration showing an embracing couple—reinforce the romantic, patriotic tone typical of wartime popular entertainment. The song's structure juxtaposes battlefield horrors ("statistics," casualties) with domestic sentimentality (wife, children waiting at home). This represents how American popular magazines like *Judge* used music and illustration to process the emotional experience of WWI for civilian audiences, mixing patriotic duty with emotional reassurance about soldiers' safe returns.

📄 Transcribed text from this page (OCR, searchable)

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

VLL BE BACK— (The Soldier’s Farewell) UKULELE IN D TUNING . MARZIALE FR fisil | A sol-dier, he was leav- ing for to go and fight the foe, A 2‘Tis now the thick of bat- tle with the bullets fly-ing fast, “While 3.The last scene is a home-stead which is ti-dy trim and neat, The Fah FF ry Words @ SS =< + saa sol-dier and a Kus-band too, as well; —— He done it as his : grim and @- ven grim-mer grows the fray; —— The sol-dier is as Music by H.W. Haneimann lia ila RR OR = =— =—? = = duty, — for it did-n’t pay much dough, He knew, as Sher-man yet un-scathed his for-tune can-not last, Sta-tis-tics are a- chil-dren play a-bout this mo-ther$ feet, Too lou-sy now for FARE ESoce) 2 oer et ee said that *war was — (whistle ) His lit - tle wife stood gainst him on this day; —— A bul-let nicks him mem-o - ry’s sad tears;—____——_ A knock up - on __ the Li RR Ss there - up — on the thresh-old ——— So pret-ty and so young to leave a- neat- ly on the co - co -——He falls up-on the earth on No-ture’s door with glad in- tru- sion ——The sol-dier en-ters and he is not hii Get RR + = ——= ee lone; — And as a-round her waist he took a fresh-hold— He floor; — And whis- pers as he lies up-on his bo~- ko, — ust Dead;—"Why, Jack-!" the lit - tle wife ‘s all con-fu - sion,— She war it has been o - ver sev’— ral years; —— Turn love-ly lit-tle comicbooks.com