Judge, 1929-03-16 · page 33 of 36
Judge — March 16, 1929 — page 33: what you’re looking at
What you’re looking at
This page mixes theater criticism with advertising. The left column reviews a theatrical revue featuring performer M. Paco Moreno and a dance team (Shaw and Lee), praising its humor and physical comedy while critiquing the obligatory "comical chorus girl" as a tired theatrical convention. The dominant content is a full-page advertisement for *Decameron Tales* by Boccaccio, marketed as "forbidden books" that reveal life's true passions. The ad employs sensationalist language—promising readers will "never know life" without reading such works—and uses euphemistic appeals to sophistication ("cultured," "discriminating critics") to market what appears to be an unexpurgated literary edition to early 20th-century readers. The bottom illustration shows a drawing-room scene, likely from the advertised book, with the caption playing on social propriety and hospitality conventions. This reflects period debates over literary censorship and moral standards regarding explicit content in classic literature.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
[-—— | | | Judging the Shows (Continued from page 18) brother, father or husband, the M. Paco Moreno, delivers a description of a bull-fight that is almost as funny as the washroom episode; there ix some very lively | hoofing; and the team of Shaw and Lee perform some highly jocose monkeyshines. Which Surely isn’t a bad dose for a revue these days. In sucl show, of course, there are other elements that are not quite to the taste of the impec 1 ae OU’LL NEVER KNOW LIFE alg: mage ag i mea Until You’ve Read the Greatest eat the bertlemeche In fares of All Forbidden Books! of the show, it must be admitted, OU'LL never know the tremendous force of _ in, the strange pl # they indulge liowever: tint for .all one’s ape human passions until you've feasted on are told with a wi pathos that ne: a ; ae) “Nl q Ey a aT the most thrilling Tales from that greatest of between the covers of any other boo chcensic © berth-m: one | all true-to-life books—the immort. cam- the atories not only amuse and enterta’ prehension: sthe “Dertiemarke: one | ea Here are the frani les of love after the Bret requisemant of good Action, doesn't come along. There is also | and intrigue ever set down on paper. Written in but they give us the history of manne: ing allusion to a wotan’s vaceir ~ | stresemthe deep secret motives that influence — p d over, if you would broaden your vision— our actions t lay no less then they did cen- make yourself truly cultured. tion, and—-as you may have an- | turies ago. ticipated—there is the laboriously y youcan inspect. SEND NO MONEY—S DAY TRIAL comical chorus girl, stationed at — the end of the line, who n tiates her supposedly — artless didoes in an effort to draw the audience's amused attention, Y. r0- obliga offer, then send for your copy at once, the Decameron h pired countless grea has been lauded by the most disc will be refunded. MM) this low price offer 4 6 © kind from vears of ex- | €rities. Rich in fascinating plots, vibrant with 800 N. Clerk St, know the kind from year X- | Ail the passions of a warm-blooded race, it has perience—the girl that the news- furnished plots for the work paper reviewers generally write | GLansson Dryden end Lomgteling nN once thus about: “Her agreeable task | know literature, can call himself truly sophi cated, until he has drunk from the bottom! it was to reduce to fundamental | loving cup of that genial old Italian, Giovanni foe: cio. d far from bei i ora! absurdity the dance regimentation | Bocesccion |. And far from being immoral s eee s been so | these Tat m the Decameron are in reality fan which ha Insrecent. year been so | prestatext beokforthrearest student of tat inevitable in all productions with | greatest of all studicschuman mature, music. She was at once a mere | The morals and customs of Italy of the four- teenth century are all laid before youmthe way girl and a syml people lived, the hovels and palaces they dwelt I—a symbol of humanity refusing to be regi- _ ss mented, Her lackadaisical in- difference to the patterned ges- 5 tures, her studied slump into naturalness, just before the wing hid her, her fits of complete straction while all the rest’ were ymbe intent—these were the product of some one's inspiration.” Bunk! But the revue as a whole is ve the averag It has humor, od physical action and the emi- nently engaging Mlle. Moreno. It will loosen your ribs. ] A minister, | flock, began: ‘' | | see before me a a | and shining faces.” Just then |i cighty-seven powder-puffs came Deranrine Guest—Now, don’t trouble to see us to the door, ) | out. Hostrss—Oh, no trouble—it's a pleasure! | —Carrrr’s Wrekiy Everynopy’s Wrerkry —_ - j comicbooks.com