Beautiful but Poor — page 106: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

2% Pic £ “ae ~~ os C tal we 4, ae * . Se. ws . * | 8 » = ¥, ee « a en me [cate a. v5 eet + re e Se “sh 7 oa 7 # an ‘. = * F os) ¢ wt : oy, 2 4 : ate >. ‘ r ? al CHAPTER XX, GOOD ADVICE. The library of Mr. Legare was a favorite resort for his sister-in-law, Mrs. Louisa Emory—or Aunt Louisa, as Frank and Lizzie delighted to call her. In his books, and also in the paintings, she found joys which none but an intellectual.woman could ‘find, and here, even in her most melancholy moods, i ; she would brighten up. Frank and Lizzie, who thought there was no one on earth like their aunt, were with her when Mr. Le- gare came into the library with the portfolio just re- ceived from Mr. W——. “Come, sister, come, eitiron and look at my new treasures with me,”’ cried the old gentleman, taking a seat at his private writing-and poaa table, and opening the portfolio. “What are these?” asked Mrs. Emory, as he spread out the drawings all over the table. “Sketches from the pencil of that wonderful girl in the book-bindery—the one I have already talked — e to you about. Look at this caricature—a fashion- able belle and a poor street-sweeper. Is it not al- E most a speaking sketch? See the abject, almost - hopeless look in the face of the poor girl. Who — would believe a pencil, without color, could give so -. much expression?”’ é ag “Your protege has wonderful balou ”” said Mrs. srg fy Emory, her interest awakened. ‘‘Here is a portrait - —merely a face—that of a young girl? Is it that of =the artist herself??? | a5 \