Penny Dreadfuls, 1899 · page 60 of 68
The "Blacklisted" Cadet — page 60: what you’re looking at
A restored page from Penny Dreadfuls, 1899. Page through the whole issue in the reader above.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
_— ; : —— / 7” . * - ‘ 9 a ’ *a_l > te ee - J Al a? " ; A : - - - ‘ : 2” ae y a x i” ie v7 f) ae ga = : “Ay ~* - - . 4 * “" P a nee a! iv 2 at ¥ + e~ a . ra - ~ A o8 ry os or 2 A * (* e “a JER? witeete aes . 4 - - é a - : . ‘ - 4 “> é ’ we . oo ea “> .y « é = a a ; ri ~~ - . %, , : ; 4 i s « ‘ ~ oar a ‘ — wae re -f “a \. * > “fa . ~ : omer ° A . a ro & «—— ¥s - - » - oy ~ 7s a a P = — —_ at < a 7 tralia” ? m o4 - “ > ¥ “. . te!) 122 “THE GOLD MINE IN THE AIR.” _- ‘eo ri 7 ee me AS - ee aT ee eee —— _ le i : i light fell broad and full across a natural rockv shelf. ip There Jay tools—a shovel, a hammer. ‘I'here also : rested a tin pail, and attached to it were lone loops i of stout fishcord. : a : | Upon the rocks in different places—coatse, fine, , yellow, pale amber, were little heaps of sand. .< Was this the gold mine in the air—at least the work-shop of the visionary Simon Ward? What was the pail for? Clif soon guessed. The plank had no utility save toact asa platform. That pail was used to draw up the sand from un- known depths belaw. Whiy ? Clif took the pail. He would lower and see how far down it was, anyway. He had begun to do so, when his eye cauglit what he fancied to be some white clialk marks on the smooth wall of the rock, directly over each little head of sand. Clif held the suspended pail with one hand, flared a match with the other. He was getting interested. In an instant he dis- cerned that a definition coherent aud elaborate ap- pended to each minute sand heap. ‘‘ Magnesia,’’ ‘‘silica,’’ a score of technical terms. - with analytical proportions, seemed to refer to each pile. py SQ = rs = % « ¥ +: ~~? ~—— o See a " <! a, ® ‘ ba om e - - _ _ - > a= F . P “bam 4 a © = o a] = -~ - o “ — ~ = = . —_ a — - = > —_ - oe <* o~ - we a ~ ~~ ~ ~——_ A ad >. i - » er a = - ‘ + > =e wes z . _ - ' - » — - - a ee Se en en's ee ; S > > : : ; eg ad eo al ee , ‘ * = | Then, as the match went out, Chf uttered a sharp | coliprehensive cry. | eae ©, A ib 3 : , : - 1 Why!’ he ejaculated, Staring where he had iy caught. iets expressive enlightening words—‘‘he’s \ Struck what? | f a) 47° . j a | Ee Clif did not sav, for at the iarveling, the brilliaut | mental iumination, he was struck himself. | * From overhead a lot of loose @@irt and rock dust ie flitted down, Ouickly Clif looked up. There peered a haan face. 2 . d f + = i 9 ~—? t “<7 a ve : - : © es.” - oe , - £ M ; > vd - + ‘* . #8 ad a r v : : ‘ "t ‘ ‘ gt et = i" x “Se ve 7 4 ~ nd Mem P| a Orn ~ i | oe5 Ng Sad Cree me +f. ght ae ms Pn. = ws ~~ -& 5 = as eo: x \ ¥. | ha > oa ee , SHS - x } \ _ bem al | ‘“ > EN rs 3 — = Ne . L Ne n fi < a — : , ~ ¥ bs r- _ a a o i ot a AL owe ‘ ‘ge —_ and ~~ ~ » on = i. —— _ me * ae ee + - ;. . - - e mt ee A _ . . ~ = : * ao tn Bs wa one 9 y - a (7 oe ¢ Sy gt 4 - . _—-, m “er 9 - > a ~ a1 Pat © * oye a A“ “. ” ‘ ir a 7 tS BIO PS 2 a sie a7 F Pas ask. “a - 4 _ “Ws ‘ < f * g J - —_ 4 A PP SS ee : Satta es ar ro ae — % sre a _ ys . «=~ fe pa ge - *@e- ¢ - sie we a