Penny Dreadfuls, 1897 · page 26 of 36
New Nick Carter Weekly, No. 33 — page 26: what you’re looking at
A restored page from Penny Dreadfuls, 1897. Page through the whole issue in the reader above.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
ae 4 * 4 - a] 4 + ~ on. 7) 2% Pr Geis a i i ‘ ?* a . - "i . oo ] : 7, w@**F = ae + i As 5 a. Lj — = \ i = FF 7 = > = - - _ 4 J t ¥ o_" _ A. mks My ; iY adele 7 hee hee ; f TW e 54 2 ee FA Gd! ae wal) . , Cass at af hate ar 7 att y, 7 # , a : | ie, ” — LW! Maes’ . ev FE ee, . ef e+ oe . , . ; : “ a i 74 a’ * bs a . » ' ; } Vi i ¥ i * a a — > j 7 * Pa - _ ist > « , A 3 up for. — - _ a - a, = . .* > - + - - . a: . > ? ~ {EW NICK CARTER WEE As he thought in this way Trim re-{a villain as the professor himeeli: rH + membered the description that landlord |lead him on and see if he won’tsay some- _ Avery had given of young Mead. ‘thing more damaging.”’ a 24 This £ seems bright enough,’’ Accordingly Trim remarked: | Trim went on to himself, ‘‘although he} ‘‘That was well done, Edward!” t talks a little queerly for a fellow vy tho is| To this the young. ‘fellow immediately g¢ under a private tutor. replied : 4 “Bor that matter, though, Professor) ‘‘O, take a tumble and talk iceiaeace ne Spinner may not have been the best sort | will you?”’ | of a teacher.’’ Trim felt more and more amazed that These thoughts went through Trim’s| he concealed his feelings completely. . mind while he was turning about to ac-| ‘‘] am talking business!’? he retorted, _ company Edward to the farther end of the! 4s jf offended. ‘‘How did you geton to © veranda. the fact, and who did it?’’ 8 %, got on to it by peeking into the old man’s room a little while ago to see if ‘‘We’ll take snap ‘iat at the moon, | mugsy,’’ remarked Edward, with a low! laugh, as they walked along. ‘you were there. It was dead empty.” ‘*Hey, what’sthat you’re calling me?’’|} ‘“‘Indeed! Well, who took the og =A demanded Trim, in real surprise. 'man away ?”’ It seemed strange to himthatthe bank-| ‘‘I don’t know, unless——’’ er’s son should address his teacher in that; ‘‘Where did they take him?’’ familiar way and he believed it would be! ‘‘I don’t know that, either.’ = in keeping with the part he was playing| ‘‘Pooh! ? exclaimed Trim. veo pai to show some offense at it. | ‘*Now what are you givin’ us?’’ cried ‘*O, come off!’’ retorted Edward, con-| Edward, im patently. ‘Vou act as if you a temptuously. ‘Don’t let’s have anything didn’t care anything about it while I of that kind when we’re alone, see ?’’ ‘should think that it was One ‘Ah!’ thought Trim; 50 the pro-| mighty important. ”’ fessor and the pupil are not quite on*the| ‘‘Perhaps it is!’’ returned Trim. ae same terms when they’re in the presence; ‘‘I told you you wasn’t fly,’’ continued | of other people. Edward, ‘‘and here’s something more for ‘All right, I reckon I can play my | you to think of.”’ a part in that kind of game, too.’’ ‘*Well, what is it?” i Aloud he said: © | “You know when we went into the — : ‘“You mustn’t be careless, Ned, some-| toom together ?”’ ae body might happen to be standing be-| ‘‘I remember.’’ pe hind any of these pillars or in the shadow| ‘‘There was two men standing there vt - of a doorway.” “Yes. 2 awe ag | suppose so Te Edward respc nded, in | ‘Well, I’ll be. one of them was a de- SF a lower tone; ‘that’s why I wanted you | tective. o ge to come out to the end of the veranda;| ‘‘A detective?” - syed seat but say!’’ and he pointed into the sky as ‘Yes, Pl bet the old man has beenso scared tha. he got a fellow down Portland to take care of him. ‘*I] tell you. what it is, boss, | got to look sharp or we’ll all be a Sebi that all you’ve got to say ?’ eae: 5 “Well, ain’t it enow gh??? retor ed Ed- Ae do, ecech, and that’s what : vot ed ““Here’s the old man taken toan- I wanted to put you on to it.” sothes aoe and yon don’t | where ia is at ‘Sage ‘‘the Gs taoe s : if calling attention to a star; ‘‘you ain’t| as fly as you think you be.”’ _ What! s the matter now?’’ asked “They ve taken the old man to auether