The Gift of the Sailor: The String of Pearls & Sweeney Todd, the Demon Barber of Fleet Street — page 12: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

CHAPTER II. THE SPECTACLE-MAKER’S DAUGHTER. “Johanna, Johanna, my dear, do you know what time it is? Johanna, I say, my dear, are you going to get up? Here’s your mother has trotted out to Parson Lupin’s, and you know I have to go to Alderman Judd’s® house in Cripplegate, the first thing, and I haven’t had a morsel of breakfast yet. Johanna, my dear, do you hear me?” These observations were made by Mr. Oakley, the spectacle-maker, at the door of his daughter Johanna’s chamber, on the morning after the events we have just recorded at Sweeney Todd’s; and presently, a soft sweet voice answered him, saying,— “T am coming, father, I am coming: in a moment, father, I shall be down.” “Don’t hurry yourself, my darling, I can wait.” The little old spectacle-maker descended the staircase again, and sat down in the parlour at the back of the shop, where, in a few moments, he was joined by Johanna, his only and his much-loved child. She was indeed a creature of the rarest grace and beauty. Her age was eighteen, but she looked rather younger, and upon her face she had that sweetness and intelligence of expression which almost bids defiance to the march of time. Her hair was of a glossy blackness, and what was rare in conjunction with such a feature, her eyes were of a deep and heavenly blue. There was nothing of the commanding or of the severe style of beauty about her, but the expression of her face was all grace and sweetness. It was one of those countenances which one could look at for a long summer’s day, as upon the pages of some deeply interesting volume, which furnished the most abundant food for pleasant and delightful reflection. There was a touch of sadness about her voice, which, perhaps, only tended to make it the more musical, although mournfully so, and which seemed to indicate that at the bottom of her heart there lay some grief which had not yet been spoken—some cherished aspiration of her pure soul, which looked hopeless as regards completion—some remembrance of a former joy, which had been turned to bitterness and grief; it was the cloud in the sunny sky—the shadow through which there still gleamed bright and beautiful sunshine, but which still proclaimed its presence. “T have kept you waiting, father,” she said, as she flung her arms about the old man’s neck, “I have kept you waiting.” “Never mind, my dear, never mind. Your mother is so taken up with Mr. Lupin, that you know, this being Wednesday morning, she is off to his prayer meeting, and so I have had no breakfast; and really I think I must discharge Sam.” “Indeed, father! what has he done?” “Nothing at all, and that’s the very reason. I had to take down the shutters myself this morning, and what do you think for? He had the coolness to tell me he couldn’t take down the shutters this morning, or sweep out the shop, because his aunt had the toothache.” “A poor excuse, father,” said Johanna, as she bustled about and got the breakfast ready; “a very poor excuse.” “Poor indeed! but his month is up to-day, and I must get rid of him. But I suppose I shall have no end of bother with your mother, because his aunt belongs to Mr. Lupin’s congregation; but as sure as this is the 20th day of August—” “Tt is the 20th day of August,” said Johanna, as she sank into a chair and burst into tears. “It is, it is! I thought I could have controlled this, but I cannot, father, I cannot. It was that which made me late. I knew mother was out; I knew that I ought to be down and attending upon you, and I was praying to Heaven for strength to do so because this was the 20th of August.” Johanna spoke these words incoherently, and amidst sobs, and when she had finished them, she leant her sweet face upon her small hands, and wept like a child. The astonishment, not unmingled with positive dismay, of the old spectacle-maker, was vividly depicted on his countenance, and for some minutes he sat perfectly aghast, with his hands resting on his knees, and looking in the face of his beautiful child—that is to say, as much as he could see of it between those little taper fingers that were spread upon it—as if he were newly awakened from some dream. “Good God, Johanna!” he said at length, “what is this? My dear child, what has happened? Tell me, my dear, unless you wish to kill me with grief.” “You shall know, father,” she said. “I did not think to say a word about it, but considered I had strength enough of mind to keep my sorrows in my own breast, but the effort has been too much for me, and I have been compelled to yield. If you had not looked so kindly on me—if I did not know that you loved me as you do, I should easily have kept my secret, but, knowing that much, I cannot.” “My darling,” said the old man, “you are right, there; I do love you. What would the world be to me now without you? There was a time, twenty years ago, when your mother made up much of my happiness, but of late, what with Mr. Lupin, and psalm-singing, and tea-drinking, I see very little of her, and what little I do see is not very satisfactory. Tell me, my darling, what it is that vexes you, and I’ll soon put it to rights. I don’t belong to the City train-bands* for nothing.” “Father, I know that your affection would do all for me that it is possible to do, but you cannot recall the dead to life; and if this day passes over and I see him not, nor hear not from him, I know that, instead of finding a home for me whom he loved, he has in the effort to do so found a grave for himself. He said he would, he said he would.” Here she wrung her hands, and wept again, and with such a bitterness of anguish that the old spectacle-maker was at his wit’s end, and knew not what on earth to do or say. “My dear, my dear,” he cried, “who is he? I hope you don’t mean—” “Hush, father, hush! I know the name that is hovering on your lips, but something seems even now to whisper to me he is no more, CORniclooo S CO)