ComicBooks.com Register / Loginit's free!

Penny Dreadfuls, 1870 · page 147 of 392

Penny Blood Serial Fiction — page 147: what you’re looking at

📖 Open the full issue in the page-flip reader →
Penny Blood Serial Fiction — page 147: Penny Dreadfuls, 1870

A restored page from Penny Dreadfuls, 1870. Page through the whole issue in the reader above.

📄 Transcribed text from this page (OCR, searchable)

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

130 THE COURT OF LONDON “What more can I do for you, my good man?” asked the commercial traveller, in a mild and encouraging tone. “ You seem to be very, very ill — and alone — ” ‘ Yes — yes — all alone —alone!’’ murmured the in- valid, knitting his brows in a manner indicative of mingled rage and despair. ‘“ The ungrateful girl — Julia — to desert her own father — leave me for hours — yes, hours — ” “Then you are hungry? — you require food, and you are unable to rise from your bed to take it?’ enclaimed Page. ‘Ah! I understand, poor man, but I will get you food.” ‘Stay, sir — stay!”’ said the invalid, as the commercial traveller was turning toward the cupboard to fetch a morsel of bread to place between the famished being’s lips. “‘ Stay, sir,’ he repeated, his voice acquiring strength, now that his throat was no longer parched with a torturing thirst; “I do not require food — I could not eat — I —I am dying! ”’ “TI will run and fetch hither a doctor!’ exclaimed the bustling and agile Page, now springing toward the door. ‘“ No — no — stay, I implore you!” said the invalid, in an appealing tone. ‘“ I am past all hope — beyond the in- fluence of human aid — I feel that I am dying! And when I am gone — but I must not waste words — my voice is failing me —a dimness 1s coming over my eyes — where are you, sir? — why have you put out the light? ” And the workings of the invalid’s ghastly countenance were horrible — horrible to behold. ‘““T am here, my good man, and I have not extinguished the light,’’ returned Page, bending over the bed. “ But speak — tell me what you have to say — give me your in- junctions — ‘Stoop down — place your ear close to my lips,” resumed the dying man, now speaking with extreme difficulty. ‘Are you close? ”’ ‘““ Yes — yes — proceed!” exclaimed the commercial . traveller, breathless with suspense. “ Place your hand beneath my pillow — just under my head,”’ gasped the old man. ‘“‘ There — take that pocket- book — tell Julia — Oh! I am dying! My God! my God! pardon — mercy — Hannah — Julia — Julia— Oh! mercy — pardon — pardon — ”’ And with a deep groan he expired. At the same instant, as if with an ominous emblematic GOmMmicdooks (E(@)