Adventure Magazine Cover, February 3, 1921 — page 7: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Reg. in U. 8, Patent Office Published Twice a Month by Tue Riwoway Company J. H. GANNON, President Cc. H. HOLMES, Secretary and Treasurer Spring and Macdougal Streets - - New York City 6, Henrietta St., Covent Garden, London, W. C., England Entered as Second-Class Matter, October 1, 1910, at the Post-Office at New York, N. Y., under the Act of March 3, 1879. ARTHUR SULLIVANT HOFFMAN, Editer Yearly Subscription, $4.00 in Advance Single Copy, Twenty-Five Cents Foreign Postage, $2.00 additional. Canadian Postage, 60 cents. Trade-Mark Registered; Copyright, 1921, by The Ridgway Company in the United States and Great Britain. The editor assumes no risk for manuscripts and illustrations submitted to this magazine, but he will use all due eare while ey are in his hands. Contents for First February, 1921, Issue The Road to EI Dorado A Complete Novel ; ; 5 : Hugh Pendexter Hell-on-Wheels and its people. Lines of Cleavage ; ‘ ; L. Patrick Greene The Major works a deal in diamonds. ANB Soe ge ee ON ee, Gor ead Crooks at cross-purposes. Hooley’s Hen Hastener 5 : ; ; : 5 Charles Tenney Jackson High jinks in a nut-house. The Old Prospector Pom . . . . . °°. . £ E. Harriman Belle Starr, Noted Female Desperado . . . . ._ EA. Brininstool e New Bedford Poem. ; 3 ; ’ ; : Richard Butler Glaenzer The Heart of the Range A Five-Part Story Part Ill . ., William Patterson White Cowboys, gunmen and lawyers of the cattle-country. Goomasaka Makes Good* . . |. . . . ~~ F. St. Mars The alligator fights for mate and young. 4102 11k 120 129 130 154 * Occasionally one of our stories will be called an‘ Of-the-Trail” story, a warning that itis in some way different from the usual magazine stories, perhaps alittle different, perhaps a good deal. It may violate a canon of literature or a custom of magazines, or merely be different from the type usually found in this magazine. The difference may lie in unusual theme, material, ending, or manner of telling. No question of relative merit ts involved. (Continued on next page) COmiCcloool< i (C@