Argosy, Vol. 120, No. 1 — page 160: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

>» -_T~---- <= " —- = a Sas wT 4tnug DR. QUINN AT HIS PIANO Fibin the Faimons Sketch of Schneider, Exhibited atihe St Louis Exposition \ Wen and women who have failed by all other mé@thods have quickly and easily attained siic- fe—as when studying with me. In all caseutial Weys you are in closer touch with me than if yam were studying by the oral method—yet my legbons cost you only 48 cents each—and they inglude all the many recent developments in Befentific teaching. For the student of moderate mg@ans, this method of Studying is far supemor tofall others, and even for the wealthiest stu- dept there is nething belfer at any price. You may be certain that your progress is atall tines in Se@prd with the best musical thought of the present da¥, and this makes all the difference in the world. My Course is endorsed by distinguished musi- elans. who would not recommend any course but the best It is for beginners or experienced Digyers, old or young. You advance as rapidly Orgas slowly as you wish. All ‘ne essary music igMuppled without extra charge. <A diplomn is Branted. Write to-day, without cost or oblign- tion. for 64-pare free booklet, ‘How to Learn Pigno or Organ.”’ FREE BOOK =}— — -FREE BOOK COUPON. __ QUINN CONSERVATORY, Studio A4 Social Union Bldg., Boston, Mass. l Please send mo. without cost or obligation, your free | Dapkilet, “How to Learn Piano or Organ," and full partic- Miers of your Course and special reduced Tuition offer. PE OSU PO OSB eRe edecsoucbeces **eeé¢eee — ——— as move. “wasted effort. [ry So people said when I first started in 1891. But now, after over twenty-five years of steady growth, I have far more students than were ever before taught by one man. I make them skilled players of the piano or organ in quarter the usual time at quarter the usual cost. To persons who have not previously heard of my method, this may seem a pretty bold statement. But I will gladly convince you of its accuracy by referring you to any number of my graduates in any part of the world. There isn’t a state in the Union that doesn’t contain a score or more skilled players of the piano or organ who obtained their entire training from me by mail. : Investigate by writing for my 64- page free booklet, ‘‘How to Learn | Piano or Organ.” My way of teaching piano or organ is entirely different from all others. Out of every four hours of study, one hour 4 is spent entirely away from the key- board—learning something about Har- mony and The Laws of Music. This is an awful shock to most teachers of the “old school,” who still think that learn- ing piano is solely a problem of “ finger | gymnastics.” When you do go to the keyboard, you accomplish twice as much, because you understand what you are doing. Within four lessons I enable you to play an interesting piece not only in the original key, but in all other keys as well. [ make use of every possible scientific | help—many of which are entirely un- known to the average teacher. My patented invention, the COLORO- TONE, sweeps away playing difficulties that have troubled students for genera- tions. By its use, Transposition—usually a ‘“night-mare” to students—becomes easy and fascinating. With my fifth les- son I introduce another important and exclusive invention, QUINN-DEkxX. Quinn-Dex is a simple, hand-operated moving picture device, which enables you to see, right before your eyes, every movement of my hands at the key- board. You actually see the Singers Instead of having to reproduce your teacher's finger movements from MEMORY—which cannot be always accurate—you have the correct models before you during every minute of prac- tice. The COLOROTONE and QUINN- DIX save you months and years of They can be obtained only from me, and there is nothing else, inywhere, even remotely like them. MARCUS LUCIUS QUINN CONSER- VATORY OF MUSIC Studio A4, Social Union Bldg. BOSTON, MASS. comicbooks.co