A Study in Emerald #[nn]

Dark Horse's 2018 adaptation of Neil Gaiman's beloved mashup of Sherlock Holmes and Lovecraftian horror arrives in striking form, with Rafael Albuquerque's cover depicting a formally dressed figure — headless in frame — wiping unmistakably green ichor from gloved hands with a white cloth, the vivid emerald stains the only splash of color against an otherwise shadowy, monochromatic composition. It's a quietly unsettling image that captures the story's blend of Victorian propriety and something far older and stranger lurking beneath the surface. Albuquerque's loose, painterly linework gives the whole thing an atmosphere that feels both elegant and deeply wrong — exactly the right mood for this tale.