Bloedvijanden #1

Two young people — one red-haired and finely dressed, the other rougher in working clothes and carrying a miner's lamp — stand back to back yet apart, their uneasy posture hinting at worlds in collision. Behind them, a grand mansion and a coal mine's headframe loom over a deep red silhouette, setting the stage for a story rooted in class division and industrial-era tension. Francis Carin and David Caryn open Bloedvijanden with a cover that promises rich period atmosphere and human drama in equal measure.