Broadway Laughs #9
☆ Be the first to review + Add to your collection — Join freeBroadway Laughs #9 is an anthology of single-panel and multi-panel gag comics featuring various humorous scenarios. Among the visible stories are a joke about knowledge of classical composer Brahms, "The Cocktail Shaker," which depicts a man and woman being violently shaken by cocktails after she requests a drink, and an untitled piece in which a couple on a dinner date ends their relationship when the woman requests separate checks. The issue collects quick comedic vignettes typical of mid-century humor magazines aimed at adult readers.
A young woman tries to convince her skeptical father to let her date a boy, using a series of increasingly absurd excuses and a playful electric brain to settle the matter—only to find her own heart caught off guard by the situation.
A man desperate to escape the relentless playing of the movie *Cactus Death* finds himself trapped on a remote island bar where the film is still showing, no matter where he goes. As he tries to find peace, the movie follows him through increasingly absurd settings—from the high seas to a tropical grill—each more hilariously inescapable than the last.
A police squad bursts into a stage door party, arresting everyone for gambling, much to the dismay of a man who’s just won his first hand all day. The chaos unfolds as the officers’ sudden raid interrupts the revelry, leaving the suspects scrambling to explain their presence.
A young woman asks her companion to pour her a drink, only to be met with confusion when the cocktail shaker seems to have a mind of its own. The story follows the absurd twist of a shaker that refuses to stay still, leading to a series of increasingly comical mishaps.
A young woman arrives at a man’s apartment for dinner, only to be shocked by the bizarre, over-the-top meal he’s prepared—far from the sweet sour gravy she expected. As she tries to piece together what’s going on, her growing confusion is interrupted by a series of garbled, surreal lines that suggest something odd is happening behind the scenes.
In "Initiation," a young woman named Tootsie Tulip is reluctantly recruited into a mysterious club called the Grand Order of Vultures, only to be surprised by the surprisingly mundane final test: performing onstage with twenty other girls during a floor show. Her reaction—shock, disbelief, and a playful complaint—reveals the humor in the absurdity of the ritual, as she grapples with the unexpected demands of her new membership.
A man insists on separate checks at a restaurant, only to be surprised when his date reveals she’s been secretly paying for their dates all along. The twist unfolds with a humorous reversal of roles, as the woman takes charge of the situation in a way that catches him off guard.
A young boy, convinced a glamorous woman in a space machine has come to take him to Mars, begs his parents to let him go—only to be sent back to bed by his exasperated mother and father, who chalk his wild imagination up to too many comic books.
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