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Captain America#228
Cover: Ron Wilson & Joe Rubinstein

Captain America #228

Dec 1978 · Marvel · 0.35 USD
“A Serpent Lurks Below”
About this Issue

Captain America #228 is the first Captain America title appearance of the Constrictor (Frank Payne), a villain who had debuted the previous year in Incredible Hulk #212 and would go on to become one of Marvel's most durable mid-tier mercenaries, popping up across decades of titles. The issue also serves as the narrative bridge that formally implicates the Corporation crime syndicate in the disappearance of the Falcon and plants the seed that there is a mole inside the S.H.I.E.L.D. Super-Agents — a slow-burn revelation that pays off across issues #229–230 and the Hulk crossover that follows. As part of the Roger McKenzie Corporation arc, the story exemplifies the late-1970s Bronze Age mode of extended serialized plotting across multiple titles, tying together threads from Incredible Hulk, Captain America, and the Avengers roster in a way that was still relatively novel for Marvel street-level books.

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writer Roger McKenzie · artist Sal Buscema · artist, inker Mike Esposito · artist, inker Tartag · colorist G. Roussos · letterer Gaspar Saladino · letterer D. Albers · cover Ron Wilson, Joe Rubinstein

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History

Writer Roger McKenzie and penciler Sal Buscema were the regular creative team on the Captain America title at this point, working under editor Roger Stern and editor-in-chief Jim Shooter. The story titled 'A Serpent Lurks Below' picks up plot threads seeded in Incredible Hulk #212, reflecting the cross-title continuity discipline Shooter was enforcing Marvel-wide in this period. The cover was penciled by Ron Wilson and inked by Dan Green, with interior finishes split between Mike Esposito and John Tartaglione over Buscema's breakdowns — a fairly typical Bronze Age Marvel production arrangement.

Trivia · 8 facts

  • Story title: 'A Serpent Lurks Below'; on-sale date August 8, 1978; cover-dated December 1978.
  • Written by Roger McKenzie, penciled (breakdowns) by Sal Buscema, finished art by Mike Esposito and John Tartaglione, colored by George Roussos, lettered by Diana Albers; edited by Roger Stern; editor-in-chief Jim Shooter.
  • Cover art by Ron Wilson (pencils) and Dan Green (inks).
  • The Constrictor (Frank Payne) makes his first appearance in the Captain America title, having originally debuted in Incredible Hulk #212 (1977); the character was created by Len Wein and John Romita Sr.
  • The issue formally introduces the Corporation conspiracy thread into the Captain America series, with Constrictor revealing to Cap that a mole is embedded among the S.H.I.E.L.D. Super-Agents — a plot payoff that unfolds through issues #229–230.
  • Vamp (Denise Baranger), Blue Streak (Don Thomas), Texas Twister (Drew Daniels), and Marvel Man (Wendell Vaughn — the future Quasar) all appear as S.H.I.E.L.D. Super-Agents; Vamp and the Super-Agents first appeared together in Captain America #217.
  • The S.H.I.E.L.D. barbershop headquarters in Manhattan is destroyed during the issue, marking a significant piece of Marvel espionage infrastructure off the board.
  • The issue was reprinted in the French-Canadian Capitaine America (Editions Héritage) #86/87 (1978), the French Arédit-Artima Captain America #22 (1983), and in Marvel Masterworks: Captain America vol. 12 (2020).

Cast · 25 characters

Full credits

artist, inker Mike Esposito
artist, inker Tartag
colorist G. Roussos
letterer D. Albers
cover pencils Ron Wilson
cover inks Joe Rubinstein