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Crime Does Not Pay #108 cover
Cover: Charles Biro
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Crime Does Not Pay #108

Mar 1952 · Lev Gleason [1930s-1950s] · 0.10 USD
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A man named Barry plans an elaborate scheme to become wealthy and famous by performing dangerous stunts at nightclubs, boasting to criminals about his exploits to gain their attention and respect. When Barry is arrested after one of his stunts goes wrong, he is offered a deal by police: work as an informant to help them catch the criminals he's been associating with, particularly a man named Collins involved in drug trafficking. Barry agrees and successfully helps authorities identify Collins's operation and arrest him, leading to his own redemption and a legitimate job.

Contains 5 stories
The Double-Cross That Boomeranged
7.75 pp · Crime

Petty crook Ernie Wicker decides to move up to the big time and recruits an ex-con safecracker—known only as Doc—fresh out of prison, aiming to pull off a major jewelry store heist. But Ernie has his own plans for the take, and when a third accomplice enters the picture, loyalties and double-crosses begin to unravel on the dark docks and in the shadows of a high-security job.

Jim Franton, Bootlegger versus Bud Rollins, Con-Man
5.67 pp · Crime
One Thrill Too Many
5 pp · Crime

Bart Jeffers, a banker's son with a dangerous taste for thrills, discovers that crime offers the ultimate rush—starting with a simple scheme to tip off robbers at a nightclub, then escalating when he demands to pull jobs alongside hardened criminals. The young thrill-seeker gets in deep with the gang, but a fingerprint at the scene of a pawnshop robbery threatens to expose everything and derail his double life.

Untitled Non-Fiction story
1 pp · Non-Fiction, Crime
The Case of the Custom-Made Clothes
6 pp · Crime

Inspector Jeff Geoffrey uncovers a murder disguised as suicide when a cleaning tag on an unknown corpse leads him to a dead end—until a cryptic discovery sends him spiraling into an underworld smuggling scheme. Determined to crack the case, Jeff must navigate treacherous waters—literally—as his investigation takes him from the dock to a ship at sea in pursuit of the real culprits.

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Full credits

artist, inker Bob Fuje
cover pencils, inks Charles Biro

Reprints

Reprinted in Tales of the Killers #11 (1971)

Key issues in Crime Does Not Pay

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