Crypt of Horror #6
☆ Be the first to review + Add to your collection — Join freeIn "The Girl of the Moonpool," a tense journey across a treacherous river takes a chilling turn when a werewolf hires a boatman to ferry him to the other side—under the strict condition that not a single drop of water touch him. With the boatman boasting of his skill, the crossing seems safe… until the sky opens up and rain begins to fall. Mort Lawrence’s stark, expressive art brings the mounting dread to life, while Lee Elias’s cover captures the eerie, moonlit tension of the tale.
In "Look Homeward, Werewolf!" from Crypt of Horror #6 (2009), a lone werewolf hires a boatman to ferry him across a treacherous river, warning that even a single drop of water could unleash his fury. The boatman, confident in his skill, promises to keep his passenger dry—until the sky opens and rain begins to fall.
In "Swamp Monster," a fugitive fleeing through the tangled depths of a Louisiana swamp stumbles upon a creature of ancient evil—only to be bitten and transformed into a monstrous beast. When he ambushes the sheriff and his deputy from the treetops, his violent rampage ends in a gruesome twist of fate, leaving behind a corpse that reverts to its human form.
In "The Ugly Duckling," Jed Barnes, a man whose face was scarred beyond recognition in a tragic accident, finds unexpected connection when he saves Ruth from taking her own life. Their marriage begins as a quiet refuge, but as Ruth grows increasingly curious about the face hidden beneath his bandages, the fragile peace between them starts to unravel.
In "The Polka-Dot Man," a peculiar alien recruiter with a polka-dotted suit and a rival stripe-patterned recruiter descend upon Earth, each seeking to enlist humans into their interstellar conflict—simply by speaking. With no weapons, no force, just their strange appearances and persuasive words, they turn ordinary encounters into high-stakes recruitment missions.
In "The Gossips," three sinister old women wield their cruel whispers like weapons, turning lives to ruin with nothing but words. When their victims fall to despair, the dead rise—not with vengeance, but with a far more chilling retribution.
In "The Shrieking Terror," a werewolf prowls the outskirts of traveling circuses, its rage fueled not by bloodlust but by a fierce, silent justice—striking down those who harm animals. When a cruel trainer manipulates the beast’s reputation, the circus’s misunderstood freak must confront the truth in a final, desperate act of redemption.
In "Rat-Trap," a desperate prisoner discovers a chilling pattern: feeding the rat that visits his cell causes the bars to slowly widen, inching him closer to freedom. As the days pass and his rations vanish, the balance of power shifts in a way he never expected.
In the sweltering depths of the Amazon, a woman is taken by grotesque, amphibious creatures reminiscent of a forgotten horror classic. Her boyfriend, drawn by a desperate need to save her, confronts the creatures in a desperate bid to break their hold. The jungle itself becomes a weapon as he triggers a crushing avalanche to stop them.
In "Demon Flies!", Dr. Gilbert unleashes a swarm of deadly, genetically enhanced flies to settle old scores with the scientists who once ridiculed him—only to find himself outmatched when the creatures spiral beyond control, forcing him to summon a far more monstrous solution. The story unfolds with chilling precision, blending scientific hubris with creeping dread in just four pages.
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↩ Reprints The Beyond #2 (1951), Chamber of Chills Magazine #5 (1952), Witches Tales #8 (1952), Chamber of Chills Magazine #11 (1952), Adventures into the Unknown #36 (1952), Mister Mystery #8 (1952), Black Magic #1 (25) (1953), Weird Mysteries #5 (1953), Chamber of Chills Magazine #19 (1953), Mister Mystery #13 (1953), Chamber of Chills Magazine #22 (1954), Chamber of Chills Magazine #23 (1954), Uncanny Tales #23 (1954), Mystery Tales #25 (1955), Uncanny Tales #52 (1957), Tales of the Mysterious Traveler #7 (1958), Shock #2 (1969), Chilling Tales of Horror #3 (1969)
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