Eerie Annual #1971
☆ Be the first to review + Add to your collection — Join free"Hatchet Man" in Eerie Annual #1971 delivers a chilling tale of isolation and dread, written by Archie Goodwin and illustrated by Gray Morrow, whose moody artwork perfectly complements the story’s eerie atmosphere. When a whaling crew rescues a man named Sturgis adrift at sea, he recounts a haunting tale of an island haunted by the ancient entity Shoggath—only to reveal that the horror is far from over. The cover, a collaborative masterpiece by Frank Frazetta, Kenneth Smith, Vaughn Bodé, Dan Adkins, and Vic Prezio, captures the story’s unsettling tone in vivid, grotesque detail.
In "Hatchet Man," Harvey Whittaker sees a chance to eliminate his wife by mimicking the legend of a notorious hatchet murderer—only he didn’t count on the story having a mind of its own. Written by an unknown hand and illustrated by an unknown artist, this chilling 1971 tale unfolds with a quiet dread, where the line between copycat and cursed echo begins to blur.
In "It!" from Eerie Annual #1971, a crew of Earth’s interstellar explorers makes a fateful decision when they recover a lifeless body drifting in space—only to discover too late that some mysteries are best left untouched. The story unfolds with quiet dread as the crew confronts the unsettling truth behind their discovery, one that lingers in the silence between starlight and fear.
In "The Defense Rests!" from Eerie Annual #1971, Andrew Prescott finds himself framed for a murder he didn’t commit, with the town’s mayor using the tragedy to exact personal vengeance. As the noose tightens, Andrew narrowly escapes—only to hand the same chance for retribution to the enigmatic Molok-The-Brute.
In "Island at World's End!", a lone survivor named Sturgis recounts a chilling tale to a passing whaling crew: a remote island where the ancient, monstrous Shoggath once ruled, and a tragedy that left its mark on the land and its people. But as Sturgis speaks, it becomes clear the horror of Shoggath is far from buried—its legacy has followed him, and now, it may be closer than anyone imagined.
In "The Changeling!" from Eerie Annual #1971, newly hired governess Rachel Meredith struggles to adapt to the strange atmosphere of her employer’s estate—especially when she encounters the unsettling presence of young Donald Hazeltine’s mother, a figure whose very existence seems to blur the line between memory and dread.
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↩ Reprints Eerie #4 (1966), Eerie #5 (1966), Eerie #6 (1966), Eerie #7 (1967), Eerie #8 (1967), Eerie #10 (1967), Eerie #12 (1967), Eerie #13 (1968), Eerie #23 (1969), Eerie #26 (1970)
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