Forbidden Worlds #7
☆ Be the first to review + Add to your collection — Join free"In the Beginning!" from Forbidden Worlds #7, a standout tale written by Stan Lee and Larry Lieber and illustrated by Jack Kirby with inks by Christopher Rule, delivers a chilling twist on myth and modernity. The story follows a man whose visit to a museum takes a surreal turn when a seemingly mundane encounter with a guard hints at something far older—and far darker—than legend. Ogden Whitney’s eerie cover perfectly captures the story’s unsettling tone, making this a must-read for fans of early Marvel’s mythic edge.
In "I Saw the Invasion of the Stone Men," a sudden, terrifying emergence of towering stone figures from the earth sends shockwaves through a quiet town. When geologist Jo investigates, she uncovers a startling truth: these aren’t invaders, but travelers from another world, and their presence is only temporary.
In "I Was the Man Under Glass!", a domineering businessman’s reign over an alien world crumbles when his life-support system fails, leaving him trapped in his oxygen bubble as the very people he terrorized refuse to help. Stranded and isolated, he faces the consequences of his arrogance in a silent, unforgiving landscape.
In "I Laughed at the Great God, Pan!", a man’s mockery of a painting of Pan at a museum takes a sudden, unsettling turn when he glimpses the guard’s cloven hooves as he leaves—leaving his date bewildered by his sudden hair loss, though he won’t say why.
When a rogue operative stows away on an experimental nuclear missile, thinking he’s about to seize a powerful weapon, he quickly realizes too late that the craft has no internal controls—leaving him stranded, helpless, and utterly exposed as the launch proceeds. The story unfolds with tense, high-stakes urgency as the man confronts the terrifying reality of being trapped inside a machine with no way out.
In "I Was a Prisoner of the Living Statues!", a man wakes to find himself trapped in a mansion where the ornamental statues are anything but inert—each one a disguised alien, frozen in place by the very varnish meant to preserve them. The story unfolds with eerie precision, turning the elegant trappings of wealth into a gilded cage of silent, helpless invaders.
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↩ Reprints Uncanny Tales #32 (1955), My Greatest Adventure #25 (1958), Forbidden Worlds #76 (1959), Tales to Astonish #6 (1959), Tales to Astonish #22 (1961), Forbidden Worlds #8, Uncanny Tales #19
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