Historias Fantásticas #2
In "El hombre que se apoderó de un genio," a scientist's invention—a camera that brings photos into three dimensions—unleashes a dangerous chain of events when his neighbor Adam Hale steals it and kills him to keep it. With the camera’s power, Hale tries to escape the law by trapping himself inside a photograph, only to face unintended consequences when the film is ruined. Leonard Starr’s art brings the eerie, surreal tension to life, with every panel sharpened by his distinctive pencils and inks, making this early 1958 tale from Editorial Novaro a striking example of speculative horror from the era.
In "El hombre que se apoderó de un genio," Roger Hackett’s curiosity turns dangerous when he steals a seemingly ordinary statuette from his companion Martin, only to awaken a powerful genie. With the creature’s magic at his command, Hackett dreams of a life transformed—until his native assistant accidentally shatters the statue during a routine cleaning.
In the dusty heart of a forgotten jungle, a man named Noonan preys on the grief of families paralyzed by a sacred elephant’s ivory, demanding gold to end the beast’s life. When a shaman witnesses his cruelty, he calls down a curse that promises death by the very ivory Noonan seeks to profit from.
In "Las cuatro semillas del destino!", Ted Hall ventures into an ancient Egyptian tomb seeking fortune, stealing four mysterious seeds said to grant wealth, talent, beauty, and death. At first, the first three seem to deliver on their promises—wealth, skill, and striking beauty—but Hall doesn’t realize the true cost of his choices, and the fourth seed’s fate remains a dangerous unknown.
In "La cámara de 3ra dimensión que despojaba," a reclusive scientist’s invention—a camera that captures true three-dimensional images—unwittingly becomes a weapon in the hands of his neighbor, Adam Hale. After stealing the device and committing a murder to keep it, Hale discovers the horrifying truth: the camera doesn’t just reproduce objects, it takes them from the real world, drawing the attention of the law. Trapped in a desperate bid to vanish, he hides within a photograph, only to face ruin when a stray cat knocks over the machine and destroys the film.
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↩ Reprints Tales of the Unexpected #8 (1956)
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