Joyas de Creepy #1

In "Las mil caras de Jack el destripador," Robert, a police collaborator obsessed with the infamous Jack the Ripper, becomes dangerously fixated on emulating the killer’s crimes—only to find himself the victim of a chilling twist. As he sets out to murder a woman he believes to be a prostitute, the roles reverse in a deadly game of deception and dread.

In "¡Estrangula!", a woman’s final moments are marked by a desperate grip on her killer’s watch—only for the murderer to return later, seeking the lost timepiece, only to find the severed hand still clutching it, frozen in death’s last act.

In "Carroñeros," a clandestine organ supplier grows increasingly reliant on a new source offering pristine cadavers—until unsettling truths begin to surface. As his supply chain deepens, he starts to question whether his newest provider is truly a grave robber, or something far more sinister.

In "Candilejas," Miss Blondell, a cabaret artist facing arrest for poisoning two lovers, finds herself hunted in the final hours before her execution. As the noose tightens, an assassin steps into the shadows—posing as the executioner—determined to finish what the law has failed to do.

In "El asesino de las mil caras," a serial killer terrorizes a city by murdering a florist, leaving behind a trail of deceptive clues. As the police offer a reward for any witness, the murderer shifts identities—first posing as a fruit vendor, then a blind violinist, and finally a street portrait artist—each disguise carefully designed to mislead and unsettle.

In the shadowed streets of a London Chinatown, a grieving father seeks vengeance for his daughter’s assault by manipulating a ruthless killer into targeting the man who wronged her. But when the assassin’s wrath spirals beyond the intended mark, the line between justice and horror blurs in a chilling act of retribution. *Veneno amarillo* unfolds with quiet dread, where guilt and betrayal fester beneath a veneer of control.

In "Mal perdedor," a man turns himself in to the police claiming to be Jack the Ripper. As he's being transferred to trial, another man—asserting he is the real killer—helps him escape, only to murder him, declaring that a fake Ripper tarnishes the legacy of the true one.

In "El mesón del negro," a grimy London tavern serves up the cheapest stew in town—until a diner finds a familiar ring in his bowl, a chilling reminder of the missing women who vanished after working there. The discovery sends a shiver through the quiet horror of the meal, where every bite feels like a secret too heavy to swallow.

In "La primera vez," Henry endures a torment of abuse at the hands of his tutor, driving him to flee into the streets, masked as a beggar. When a sudden equestrian accident presents an opportunity, Henry seizes it—his quiet moment of reckoning, unseen and uncaught.