La Mort dans l'âme #[nn]

Two figures move through a shadowy, amber-lit forest on this evocative Futuropolis cover — one standing, one seated or crouching — rendered in brooding earth tones that set a deeply melancholic mood. Sylvain Ricard and Isaac Wens (La Mort dans l'âme, 2011) craft an atmosphere that feels at once intimate and quietly unsettling, the soft glow between dark tree trunks hinting at a story steeped in loss and human fragility. For readers drawn to thoughtful, emotionally resonant Franco-Belgian storytelling, this is a compelling place to begin.