Les Meilleures Histoires de... #[4]
This volume from the 1980s Les Meilleures Histoires de... series gathers war-themed comics originally published by Les Humanoïdes Associés, showcasing the publisher's distinctive blend of European storytelling and graphic artistry in a military setting.
"Corée" delivers a stark, gripping wartime tale from Harvey Kurtzman and John Severin, capturing the tension and confusion of battle with unflinching clarity. Set during a pivotal moment in the Korean War, it follows a Marine squad advancing toward the Changjin Reservoir, only to find themselves trapped in a deadly encirclement. The story’s power lies in its grounded realism and the quiet dread of a soldier’s awakening to the true scope of the fight—drawn with precision by Severin and rendered with haunting detail in Kurtzman’s cover art.
In "Corée," a wounded Allied soldier swears vengeance after North Korean snipers ambush his unit and steal their Jeep. Tracking them down, he hunts the surviving enemy, only to be confronted by his own comrade’s desperate plea to spare the last captured soldier. The tension between duty and mercy unfolds in a stark, unflinching clash of wills.
In "Contact!", a tense encounter between a lone American soldier and a North Korean patrol unfolds with quiet intensity, revealing the stark contrasts in experience and expectation. As the two sides face off in the frozen landscape, the weight of war settles not in explosions, but in the silence between them.
In a tense wartime moment, tank commanders Straus and Kilpatrick face a desperate rescue mission after a patrol is ambushed on the Kumhwa Road. Drawing on the quiet strategy of a checkers game they’d just finished, they use precise, calculated moves to outmaneuver the enemy and turn the tide—proving that even in chaos, the mind can lead the way.
In "Le piège !", US Marines push toward the Changjin Reservoir during a brutal winter campaign, only to be ambushed by a well-entrenched enemy force. With sharp tactics and quiet precision, Sergeant leads a daring maneuver to turn the tide—yet the victory is short-lived when the unit is ordered to retreat, leaving grunt Salisbury bewildered amid the chaos of a trap he can’t yet see.
In *Hagaru-Ri!*, U.N. forces push into a fiercely defended fortress where outnumbered Chinese troops are determined to inflict maximum casualties. As the 1st Marine Division and 7th Army Division advance, air support works to clear the way, turning the narrow path into a deadly test of endurance and coordination.
In "Liaison !", set during a desperate moment in the Korean War, the Chinese Army pushes hard toward South Korea, threatening to crush the 1st Marine Division and shatter the resolve of the United Nations troops before they can unite. As the assault unfolds across a brutal battlefield, the weight of the moment hangs in the air—every step forward is paid for in blood, and the fate of the front line trembles in the balance.
In the freezing final days of December, the U.N. forces—stranded and outnumbered—hold fast in the last pocket of safety at Hungnam, the only port still in their control. As artillery rakes the dock area without mercy, Christmas brings no relief, only relentless fire and the grim certainty that survival is a matter of minutes, not days.
In "Kill!," two soldiers from opposing sides—each consumed by hatred for the other—prepare in silence for a confrontation they both believe will be their final moment. What unfolds is a moment of unexpected stillness, where the weight of war gives way to something neither anticipated.
In "Corps sur l'Imjin !", a lone American soldier reflects on the eerie sight of dead soldiers drifting down the Imjin River, haunted by the quiet horror of war—until a sudden attack shatters the stillness, turning one man into the next lifeless body carried by the current.
In "Transmissions!", a Signal Corps unit is unsettled by the sudden evacuation of local civilians just as they prepare to move to their bivouac. Tension mounts when a young soldier, dismissive of his rifle’s importance, carelessly tosses it aside—only for enemy snipers hidden in a nearby schoolhouse to open fire, forcing the unit into a sudden, dangerous response.
In a tense moment of war, two Chinese mortar crew members set a booby trap for the advancing American forces—only to find their plan backfires when the wrong soldiers trigger it. A quiet, grim moment of chaos unfolds in six stark pages, where survival hinges on timing and luck.
In "Périmètre !", Miller grapples with the exhaustion of war and the friction of uneasy alliances as he and his American unit are forced to operate alongside South Korean soldiers. Tensions simmer, especially with Matthews, whose quiet devotion to the Bible only fuels Miller’s growing frustration.
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Reprints
↩ Reprints Two-Fisted Tales #22 (1951), Frontline Combat #2 (1951), Two-Fisted Tales #23 (1951), Two-Fisted Tales #24 (1951), Frontline Combat #4 (1952), Two-Fisted Tales #25 (1952), Two-Fisted Tales #26 (1952), Two-Fisted Tales #28 (1952), Frontline Combat #8 (1952), Two-Fisted Tales #29 (1952), Two-Fisted Tales #33 (1953), Frontline Combat #15 (1954)
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