Love Diary #36
☆ Be the first to review + Add to your collection — Join freeIn "Easy to Love!" from Love Diary #36 (1953), a 10-cent gem of a romance, swimmer Edith finds herself caught between her natural confidence and a well-meaning brother’s advice to play the part of a helpless damsel. Written by Bill Woolfolk and brought to life with dynamic, expressive art by John Buscema—both inks and pencils—this heartfelt story captures a tender moment where authenticity wins over pretense. The cover, also by Buscema, perfectly frames the emotional turning point with a classic, nostalgic charm.
In "Easy to Love!" from Love Diary #36 (1953), Irene takes a job as maid to the Parkers to help her family, but finds little dignity in the role—especially when the milkman makes her uncomfortable and the daughter, Laura, treats her with condescension. When Irene develops feelings for Laura’s boyfriend, Reed, she’s crushed to hear he’s only been toying with her, but the truth may be far more complicated than she ever imagined.
In "Flight into Passion," airline hostess Louise finds herself drawn to pilot Jim, a man whose cool demeanor masks deeper feelings. When a storm strands them in a remote mountain cabin, their restrained tension ignites in a moment of shared passion—though the aftermath leaves Louise uncertain and Jim distant. When tragedy strikes during a flight, Jim’s guarded heart finally cracks, forcing him to confront what he truly feels, even as he struggles with the weight of her past choices.
In a quiet corner of a 1953 diner, lonely waitress Nora finds herself drawn to customer Frank, whose promises of love clash with a troubling secret. When she learns he’s married, she ends things—only for Frank to insist he truly loves her, leaving her torn. Desperate for guidance, she turns to Ray Mann, hoping he can help her sort through the heartache.
In "Not the Right Type!" from Love Diary #36 (1953), shy swimmer Edith struggles with her feelings for lifeguard Bill, who seems drawn to more passive types. When her brother urges her to play the part of a helpless beauty, Edith tries to change—but her true self shines through when she leaps into action to save Bill and a drowning boy. The moment is simple, but it speaks volumes about what really matters.
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