Lovelorn #25
☆ Be the first to review + Add to your collection — Join free# Lovelorn #25 (May 1952) This issue contains two romance stories. "Marriage vs. Career" follows Lucy, who abandons her modeling job to marry Kirk and become a housewife, only to become frustrated with domestic duties when dinner burns and she cuts her finger opening a can. After Lucy demonstrates her incompetence in the kitchen, Kirk persuades her to give up her career aspirations and accept homemaking as her true calling. In a second story, a teenage girl named Helen is caught kissing a boy by her friends during a game, leading to humiliation when her father discovers the incident and forces her to stand before the neighborhood children to be lectured on proper behavior and respect.
Marla, a lonely nurse, finds unexpected hope when she’s chosen to run the kissing booth at a hospital charity bazaar, where a chance encounter with the charming Brad Desmond sparks a fleeting, meaningful connection. After a tragic accident at a country club leaves Brad critically injured, Marla dedicates herself to his recovery, only to face heartbreak when his lingering devotion to his fiancée, Ingrid, becomes clear.
A young commercial artist, Miss Howard, is exhilarated after landing her dream job designing ads for Breezeway Sportswear—until she meets a striking stranger on a bus who becomes her unexpected model. As she tries to keep their relationship strictly professional, her growing fascination with him begins to blur the lines between work and something more.
Janet, heartbroken after the tragic death of her fiancé Bert, vows to never love again and begins to withdraw from life—until a chance encounter with a kind stranger named Gordon Simpson, who insists she’s not beyond happiness. As Gordon gently challenges her grief with quiet sincerity, Janet finds herself torn between honoring Bert’s memory and the quiet, stirring possibility of a new beginning.
Nancy grapples with heartbreak after being jilted by John, torn between dwelling on her pain and trying to move on with grace. As she navigates her emotions, she learns that reacting with bitterness or desperation only prolongs the hurt, while maintaining quiet composure may be the smartest way to heal.
Lina idealizes her boyfriend Ted, treating him as flawless and perfect, to the point of smothering him with attention and care. When Ted begins to show signs of irritation and distance, Lina panics, convinced she’s lost him—only to discover that her suffocating devotion may have driven him away.
Ellen worries that her fiancé’s habits, like dropping his G’s, will never change, and she’s determined to reshape him after marriage—until he warns her that expecting too much might drive him away. The story explores the tension between romantic idealism and accepting a partner’s flaws, cautioning that demanding change or excessive possessiveness can backfire.
A young woman raised in strict moral isolation struggles to reconcile her rigid upbringing with unexpected feelings as a close colleague begins to draw her into a romantic moment, forcing her to confront the long-buried shame of a past kiss and the conflicting emotions it has shaped. As tensions rise at her new teaching job, she finds herself haunted by memories and the judgmental presence of a flirtatious student, all while battling the inner voice of her Puritan past.
Sally Rogers and Ted Hollister spend a quiet Sunday drive to Mammoth Cave, where Ted uses the echo of the underground river as a playful, unexpected way to propose. As Sally shouts "yes" to test the echo, Ted seizes the moment to ask her for real—turning her spontaneous reply into a heartfelt promise.
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