My Little Margie #12
☆ Be the first to review + Add to your collection — Join freeIn "Early to Bid," Margie's father Mr. Albright agrees to buy a property at a charity fair despite expecting competition from other bidders, but Margie decides to help him win by entering herself as Mrs. Odetts, a charity flag-pole sitter. When a mysterious masked man called Stoneface appears at the station house claiming to be interested in Mrs. Odetts's whereabouts, Margie must explain the situation to her father and the police while the man reveals he wants to speak with her, leading to confusion and comic misunderstandings as everyone tries to figure out his true intentions.
When Mr. Albright schemes with Freddie to keep Margie home from an important dinner party by painting fake measles spots on her face, his plan backfires spectacularly—Margie discovers the trick and turns the tables with a prank of her own. Now caught in a comedy of escalating gags, everyone learns that sometimes the joke lands in the most unexpected way.
When Margie's father and his boss stand to lose out on a property sale to a single buyer, Margie hatches a scheme to drum up fake competition—disguising herself and a friend as wealthy prospects to drive up the price. But her masquerade backfires spectacularly, getting her father fired and tangling the deal into a comedy of mistaken identities that keeps spiraling out of control. By the time the smoke clears, everyone's crossed wires, nobody knows who bid what, and poor Vernon Albright pays the price for his daughter's meddling once again.
When Mrs. Odetts laments that nobody pays attention to her anymore, Margie hatches a plan to get her friend back in the spotlight—by signing her up as an amateur flagpole sitter for a charity fair. What starts as a well-meaning scheme to boost Mrs. Odetts' spirits quickly spirals when Margie decides to turn the stunt into free advertising for her father's investment firm, putting both the elderly woman and the company's reputation in jeopardy. As one mishap piles onto another, Margie scrambles to salvage the chaos she's created.
Margie decides her father needs a dose of culture and buys him an art print for his office—but she accidentally discovers it's a stolen masterpiece she unknowingly purchased from an art gallery. To fix her mistake before Pop finds out, she ropes her reluctant friend Freddie into helping her break into the office and return the painting, leading them both straight into the arms of the law. Now Margie must confess the whole mix-up to the police, her father, and Freddie, though she's not above using the situation to finally get Pop to take those art lessons she's always wanted him to take.
When Freshman Freddy stops by the campus restaurant for a quick snack after baseball practice, he loses his meal ticket—and finds himself facing a suspicious manager who thinks he's trying to skip out on a much larger bill. With nothing but his word against the manager's skepticism, Freddy faces an unexpected turn of events that tests whether honesty will save him from washing dishes to pay his debt.
When a hard-to-please shopper finally finds a pair of boots that fit just right, her relief is short-lived—a single question from the salesman threatens to unravel everything. This quick-witted bit of comic mischief plays out the eternal struggle between customer satisfaction and the patience of a shoe store clerk. "Deserves a Boot" captures the absurd logic of humor comics from 1956, where a simple shopping trip becomes the setup for a perfectly timed punchline.
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↩ Reprints Master Comics #113 (1950), Nyoka the Jungle Girl #43 (1950)
Reprinted in Pepito #59
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