My Own Romance #20
☆ Be the first to review + Add to your collection — Join freeIn "None Are So Blind," a 1952 gem from My Own Romance, Jane’s quiet insecurities take center stage as she grapples with self-perception and the illusion of glamour. With art by Bernie Krigstein and inks by Sol Brodsky, the story unfolds with emotional honesty, spotlighting a moment of clarity when Jane’s mother’s old friend, movie star Gloria de Carlo, visits in person—revealing a truth far removed from the screen. The cover by Al Hartley captures the era’s romantic idealism, while the interior art brings a rare depth to a romance comic of its time.
In "None Are So Blind," secretary Nan finds herself drawn to the glamorous auto designer John, leaving her longtime friend Bob quietly heartbroken. When Nan learns John is engaged and never truly saw her as anything more, she realizes her feelings for Bob—steady, kind, and deeply familiar—might be the real thing after all.
In "The Lonely Hours," Jane, who sees herself as plain and unworthy of attention, finds her self-image shaken when glamorous movie star Gloria de Carlo visits her mother’s home—only to reveal that even stars aren’t what they seem on screen. Inspired by Gloria’s quiet wisdom, Jane begins to see her own worth, and soon finds herself stepping into a new kind of happiness with Timmy, the boy who’s always admired her from afar.
In "Never Laugh At Love!", Nancy faces a storm of worry as her plans to marry football star Johnny hang in the balance when gambler Harry and the scheming Mona attempt to blackmail him into fixing the big game. When Johnny stands up to them with a single punch and sends them packing, Nancy and Bill watch in quiet pride—only to realize that love, like loyalty, isn’t always about grand gestures, but about who stands firm when it matters most.
In "The Courtship Of Carol Sawyer," Jo navigates a delicate web of feelings when her father’s new assistant, Gregory, wins her heart—only for her to find herself drawn to the quiet gardener, Bob. As secrets unfold and loyalties are tested, the tension between romance and duty reaches a turning point.
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Reprinted in Love Experiences #19 (1952)
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