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New Romances #5

May 1951 · Pines · 0.10 USD
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This anthology issue contains three romance stories. "The Blame I Bore" follows a woman who marries a wealthy man but is rejected by his family for her humble background; when he is killed in a car accident, she discovers she was pregnant and must raise their child alone while bearing the shame of her in-laws' disapproval. "No Love for Me" depicts a woman named Doris who pursues a career in radio as a show host, ultimately choosing her professional ambitions over a relationship with a man named Greg Stacey. "Marry in Haste" tells of a young woman who elopes with a man she believes loves her, only to learn he married her under false pretenses and abandoned her, leaving her to face her disappointed family alone.

Contains 5 stories
Marry in Haste...
10 pp · Romance

Sally Marsh escapes to the exclusive Star Lake resort for a two-week vacation—ostensibly to plan a wedding with her small-town fiancé Fred, but really in search of something more glamorous and exciting. When she meets the charming Lew Curtis, she falls hard and accepts his marriage proposal, only to have Fred unexpectedly arrive at the resort, threatening to upend her newfound romance and forcing Sally to reckon with the choice she's made.

Smart Talk by Janet Lee
1 pp
The Blame I Bore...
7 pp · Romance

When a young woman named Doris moves to Central City with her parents and her sister's orphaned son, the townspeople spread vicious rumors about the boy's true origins—gossip that costs her a job she desperately needed and the affection of the department manager she admired. A chance encounter with a charming stranger offers her an unexpected second chance, but Doris soon discovers there's far more to him than meets the eye. Written by the creative team behind this 1951 romance, "The Blame I Bore..." explores how quickly judgment can wound, and whether redemption can come from the most surprising places.

No Love for Me
8 pp · Romance
Love Problems
2 pp · Romance

Sally Blaine dreads inviting her cadet boyfriend Ben Wade to dinner because her overcrowded house—packed with three generations of noisy relatives—feels more like a zoo than a home, and she's terrified of what he'll think. With her mother's help, she tries to orchestrate an elegant evening, but between her grandfather's war stories and her brother's antics, the dinner threatens to become a complete disaster. Can Sally find a way to let Ben see past the chaos to the girl she really is?

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