Seriemagasinet #8/1957
"Från far till son" delivers a gripping continuation in this 1957 issue of Seriemagasinet, where Kerry and Dude investigate another violent attack tied to a menacing bookmaker named Whitey. As tensions rise, Rocky faces a personal dilemma when he must find 100 dollars to take Cricket to the school dance—leading him to a risky gamble at the barkassa with barägaren Carter. Written, drawn, and inked by Alfred Andriola, the story unfolds with quiet intensity, while John Severin’s cover art captures the mood with sharp, noir-inspired detail.
In the eerie continuation from the previous issue, Jo recounts his unsettling childhood on a Norsborg estate, where a simple detour to school led to a chilling encounter with a mysterious object—a strange ball that pulsed with unnatural life. As he played, a floating dish emerged from the ground, its underside writhing with tentacles that seized him in a moment of frozen terror.
In the jungle heat of 1957, Tarzan keeps watch from the shadows as a film crew sets up a staged hunt—its dangers all too real. When a mysterious producer named Frank Garvey slips into the conversation with a chilling hint about accidents during big-game hunts, Tarzan realizes the line between fiction and danger is thinner than he thought.
In the eerie quiet of a remote village, Steve investigates the mysterious Cam, whose name carries whispers of suspicion and fear. As locals refuse to speak, the truth slowly reveals itself through a chilling reputation—Cam is said to be a witch, and her isolated estate bears a sign declaring her a medium, open only to those with prior agreement. Steve and So-hei approach the looming, castle-like house, the weight of the unknown pressing as they prepare to knock.
In the dusty frontier town of 1957, Wyatt Earp is summoned to the heart of the city’s lawless district, where Shanghai Joe’s gang rules through fear. When violence erupts, Wyatt steps in to restore order—only to be challenged to a private boxing match by George Peshaur, settling the score in the quiet back room of Cogswells cigarrbutik.
In "Från far till son," a dying man reflects on a life lived at speed—his past as a racer and the bittersweet bond he once shared with his son, now lost. Through quiet memories of shared drives and the roar of engines, a father’s legacy is carried on in the echoes of what was.
In this 1957 crime tale from Seriemagasinet #8, Kerry and Dude investigate another assault, tracking down a terrified man whose wife reveals he’s being threatened by a bookmaker named Whitey. Meanwhile, Rocky faces a personal dilemma—craving to take Cricket to the school dance, but with no money to afford it, he’s forced to turn to the shady bar owner Carter for a loan, trading a hundred-dollar bill in the process.
In the tense aftermath of a desperate retreat, Tex Willer and a group of soldiers take shelter in a hidden cellar beneath a warehouse, only to be discovered by advancing Indians. With the enemy breaking through the hatch and overwhelming their position, they flee into a mysterious underground passage, sealing the entrance behind them—now trapped in darkness with no clear way out.
In a dusty western moment from Seriemagasinet #8/1957, Texas Slim watches in disbelief as Calamity sneaks off, prompting him to try his hand at grooming Tokfot—only to be met with a furious kick that shatters the mirror he’s holding. Naturally, Calamity isn’t amused by the mess, and Texas Slim’s antics land him in trouble.
In this lighthearted 1957 slice of life from Seriemagasinet #8, Alexander’s playful gundying takes a comical turn when his father goes on a hunt for missing hinges—only to find chaos in the most unexpected places. Meanwhile, Mom’s attempt to tidy Alexander’s room ends with the same familiar mess, proving that even a clean sweep can’t beat the relentless rhythm of childhood clutter.
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↩ Reprints Wyatt Earp #3 (1956), Matt Slade, Gunfighter #3 (1956), Melvin the Monster #2 (1956)
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