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Silver Kid Western #2 cover
Cover: John Severin
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Silver Kid Western #2

Jan 1958 · I. W. Publishing / Super Comics · 0.10 USD
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A prospector named Pete and his partner strike gold after two years of searching, but Pete's newfound wealth corrupts him—he abandons his friend and becomes obsessed with the precious metal. When outlaws learn of the gold discovery, they pursue Pete into the desert, leading to a violent confrontation with Apache warriors. Luke, the Silver Kid, becomes caught in the middle of the chaos and must navigate the dangerous situation involving the prospectors, outlaws, and Indians to survive the desert conflict.

Contains 4 stories
Origin of the Silver Kid
6 pp · Western-Frontier
Gold Dust
6 pp · Western-Frontier

When two prospectors finally strike gold after years of grueling work in the desert, their partnership crumbles in moments—a missing stash of gold dust turns partner against partner, with deadly consequences. As the dust settles on violence and betrayal, a wounded man stumbles into the care of a kind doctor, only to awaken something darker in the healer's heart when he hears whispered confessions of hidden riches. In "Gold Dust," a 1958 tale from *Silver Kid Western* #2, the promise of wealth proves far more dangerous than any outlaw gun.

Ghost Town
6 pp · Western-Frontier

Three desperate men—Luke Tileston, Dingo Larson, and a gunfighter named Waco—descend on an abandoned ghost town hunting for a buried fortune, but their greed and mistrust soon pit them against each other and a band of Apache warriors who have their own claim to the place. As the men tear through the deserted buildings searching for hidden money, loyalties fracture and survival becomes the only currency that matters. What begins as a hunt for gold becomes a fight for life in the unforgiving desert.

Tough Hombre
7 pp · Western-Frontier

Chino drifts into a small Texas Panhandle town under an assumed name, but his identity as a deadly gunslinger is quickly discovered by a local boy who idolizes him—and soon the kid begins imitating his every move and mannerism. When Chino tries to keep a low profile, the boy's reckless admiration threatens to draw unwanted attention, forcing the gunfighter to confront what it means when someone looks up to a killer.

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Full credits

artist, inker Eugene Hughes
cover pencils, inks John Severin

Reprints

↩ Reprints Silver Kid Western #1 (1954)

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