Spiderman: Stan Lee y Steve Ditko #2
In "La Amenaza de... ¡Misterio!", Spiderman answers the circus's bold challenge to appear in their show—only to find himself trapped in a hypnotic trap set by the enigmatic Circo del Crimen. With Daredevil immune to the Chief Ringmaster’s mind-control hat, the hero’s wits and willpower are put to the test in a high-stakes performance where danger hides behind every spotlight. Written by Stan Lee and Santiago García, with art by Steve Ditko and colors by Stan Goldberg, this 2003 issue delivers a surreal, suspenseful twist on a classic superhero encounter, all framed by Ditko’s iconic cover.
In "La Amenaza de... ¡Misterio!", the web-slinger faces a chilling deception as a cunning imposter dons his likeness to commit a series of crimes. When the false Spiderman dares the real hero to a showdown atop the Brooklyn Bridge, the stakes rise in a battle of wits and wills.
In "La Grotesca Aventura de el Duende Verde," the Green Goblin enlists the Forzadores to take down Spider-Man, orchestrating a wild film shoot in the desert with B.J. Cosmos behind the camera. As the fake battle unfolds, chaos erupts when the Goblin's scheme accidentally awakens the Hulk, turning the set into a battleground.
In "Duelo con Daredevil," Spiderman answers a circus's bold challenge to appear in their show—only to be ensnared in a hypnotic trap meant to steal the big top. But when the Circus of Crime's Chief Ringmaster unleashes his mind-control hat, one hero remains unshaken: Daredevil, whose senses are immune to the illusion.
In "El Regreso del Duende Verde," Spider-Man attends a fan club gathering hosted by Flash Thompson when the Green Goblin crashes the event. With the Human Torch on hand to lend a hand, the duo faces off against the villain—only for Spider-Man to abruptly leave the fight after learning his aunt May is in the hospital, leaving the crowd convinced he’s fled in fear.
In "El Fin de Spiderman," Peter Parker faces a city that no longer sees him as a hero—only a coward. With his life crumbling and his identity as Spider-Man under siege, he begins to question whether he can continue fighting when no one believes in him anymore.
In "¡Spidey Contraataca!," Spiderman races to rescue the Human Torch after learning from a mole that the Sandman and the Forzadores have captured him. With the clock ticking and danger closing in, Spiderman must outwit his foes before they strike again.
In "La Llegada del Escorpión," J. Jonah Jameson hires Dr. Stillwell to transform Mac Gargan into the Scorpion, hoping to finally catch Spider-Man—only to unleash a far more dangerous foe than anticipated. With Gargan's rage amplified by the experiment, Spider-Man must face off against a monstrous version of the Scorpion in a fight that tests his strength and resolve.
In "¡El Payaso y los Artistas del Crimen!", the Circus of Crime, now free from prison, cast off their old leader and reinvent themselves as the Artists of Crime, turning their talents toward a new kind of heist—stealing priceless art. With no warning and no mercy, they set their sights on masterpieces, leaving only chaos and a trail of cryptic clues in their wake.
In "Adiós a Linda Brown," Jo, a girl who lives with her aunt and uncle, begins sleepwalking each night—leading her to the sea. As her family watches in quiet sorrow, they realize her nightly journeys are not random, but a return to a home she never knew she had.
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↩ Reprints Strange Tales #97 (1962), The Amazing Spider-Man #13 (1964), The Amazing Spider-Man #14 (1964), The Amazing Spider-Man #15 (1964), The Amazing Spider-Man #16 (1964), The Amazing Spider-Man Annual #1 (1964), The Amazing Spider-Man #17 (1964), The Amazing Spider-Man #18 (1964), The Amazing Spider-Man #19 (1964), The Amazing Spider-Man #20 (1965), The Amazing Spider-Man #21 (1965), The Amazing Spider-Man #22 (1965), The Amazing Spider-Man #23 (1965), The Amazing Spider-Man #24 (1965)
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