Strangers in Paradise #7
☆ Be the first to review + Add to your collection — Join freeThis volume collects the seventh story arc of Terry Moore's acclaimed series, following the complex relationships between Katchoo, Francine, and David as they navigate love, betrayal, and past traumas. Sanctuary delves deeper into Katchoo's mysterious past and the dangerous secrets that threaten to unravel their lives, all rendered in Moore's distinctive black-and-white artwork.
In "My Old Addiction," Terry Moore crafts a quietly intense moment in the lives of Francine, Casey, David, and Katchoo as personal desires and emotional tensions collide. Francine confronts her own feelings about Katchoo’s art, while Casey’s longing for connection leads her to act impulsively. David, overwhelmed by sudden wealth, seeks solace with Katchoo—only for Casey to misinterpret the moment, and for Francine to return just as things spiral. With Moore’s distinctive storytelling and art, this issue captures a fragile, intimate crossroads in their shared lives.
In "If I Wake Up," Katchoo’s art takes center stage when she’s invited to showcase her paintings, sparking joy in David and Francine. When Katchoo asks Francine to model for her, the request becomes a quiet moment of connection that lingers beyond the canvas. Years later, an older Francine wakes to a familiar kitchen scene—her daughter and Marie baking with Aunt Katchoo—just as the past and present blur in unexpected ways.
In "Nothing Gold Can Stay," Katchoo and Francine reunite after a decade of silence, their conversation unfolding in a quiet moment charged with unspoken history. As Katchoo begins to share what happened to David, the story shifts back to the present, where Francine now models for Katchoo in a moment both intimate and uncertain.
In "Talk To Me," Jo and Katchoo confront each other with raw honesty, their long-held tensions boiling over in a heated exchange about the lives they’ve built—and the ones they’ve left behind. Later, at Katchoo’s opening, a sudden moment of tension erupts when Freddie accidentally slaps a woman named Maggie.
In "The Silence of Friends," Francine is shaken by the sight of her own photos displayed at Katchoo’s opening, feeling exposed and judged in a way she can’t quite name. Without a word, she packs her things and leaves, leaving behind a heartbroken Katchoo and a quiet space where their friendship once lived.
In "Years to Go," David tends to Katchoo after her emotional collapse following Francine’s departure, while Francine herself retreats into silence, sleeping for two days before slowly reemerging. Casey, discovering one of Katchoo’s paintings of Francine in her apartment, is struck by a surge of jealousy and storms over to David and Katchoo’s place, seeking answers. The moment takes a sharp turn when, seeking comfort from David, Casey lunges at him on the couch—only for Katchoo to walk in and witness it.
In "The Fear Of Swimming," Jo confronts the roots of her unease as she grapples with Katchoo’s art and her own shifting feelings. Casey, desperate to feel wanted, impulsively reaches for David, then Katchoo, only to be startled by a sudden shift in the apartment’s mood. As David and Katchoo share a quiet moment, the tension builds—until Francine returns, catching the moment just as everything begins to unravel.
In "I, Me, Mine" from Strangers in Paradise #7, a tense police station becomes the unlikely stage for a tangled web of secrets and shifting truths, as Freddie, Casey, David, Katchoo, and Francine each try to make sense of how they ended up there—caught between a destroyed Porsche and a stolen painting no one was supposed to touch. The story unfolds with sharp, intimate drama, probing the fragile lines between desire, loyalty, and the self.
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Reprints
↩ Reprints Strangers in Paradise #17 (1998), Strangers in Paradise #18 (1998), Strangers in Paradise #19 (1998), Strangers in Paradise #20 (1998), Strangers in Paradise #21 (1999), Strangers in Paradise #22 (1999), Strangers in Paradise #23 (1999), Strangers in Paradise #24 (1999)
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