Superaventuras Marvel #1
Superaventuras Marvel #1, published in July 1982 by Editora Abril, marks the birth of what became the most beloved Marvel anthology series in Brazilian comics history — a 'mix' format that gave Brazilian readers their first sustained monthly dose of Marvel's top creative talent in a single package. By leading with Frank Miller and Klaus Janson's early Daredevil work alongside a Roy Thomas–Barry Windsor-Smith Conan story and the origin of Luke Cage, the debut issue introduced an entire generation of Brazilian readers to three of Marvel's most culturally significant Bronze Age voices simultaneously. Daredevil's sustained presence throughout the series' 176-issue run (July 1982–February 1997) traces directly back to this first issue's editorial choice to make the Man Without Fear its anchor character, a decision that shaped how Brazilian fans understood and consumed Marvel storytelling for fifteen years.
"A Lei do Terror" introduces a pivotal moment in Matt Murdock’s journey as the Demolidor, set against the emotional fallout of Maxwell Glenn’s death and the strain on his relationship with Heather. With the weight of his dual life pressing down, Matt seeks counsel from the newly arrived Viúva Negra—only to find her kidnapped, ensnared in a deadly scheme orchestrated by his archenemy, the Mercenário. Written by Roger McKenzie and Jotapê Martins, with bold art by Frank Miller and inks by Klaus Janson, this 1982 Brazilian edition (cover price 130,00 BRB) captures the intensity of a hero pushed to his limits—cover by Cleusa M. C. Acosta.
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Editora Abril launched Superaventuras Marvel after acquiring the rights to publish Marvel's catalog in Brazil — rights that had previously been fragmented, with publishers like RGE holding key characters such as Hulk and Spider-Man. With a sudden abundance of high-quality material at hand, the Abril editorial team under editors Dorival Vitor Lopes and Hélcio de Carvalho chose the 'mix' anthology format that was already common in Brazilian publishing, packaging multiple heroes in one affordable formatinho (13.5 × 19 cm, square-bound, 84 pages). The cover image of Luke Cage was adapted from the cover of Power Man #50 (1978), and the issue's letters column already featured a note from cartoonist Márcio Baraldi — a small sign of how quickly the series engaged Brazil's own creative community.
Trivia · 8 facts
- Published July 1982 by Editora Abril; 84 pages, 13.5 × 19 cm 'formatinho' format, square-bound, color throughout.
- First story reprints Daredevil #160 (September 1979) and #161 (November 1979): script by Roger McKenzie, pencils by Frank Miller, inks by Klaus Janson — one of the earliest Miller/Janson Daredevil collaborations, in which Bullseye kidnaps the Black Widow to draw out Daredevil, while Ben Urich edges closer to Matt Murdock's secret.
- Second story reprints Conan the Barbarian #12 (December 1971): script by Roy Thomas, art by Barry Windsor-Smith — the Conan story set in Zamora involving a queen.
- Third story reprints Luke Cage, Hero for Hire #1 (June 1972): script by Archie Goodwin, pencils by George Tuska, inks by Billy Graham, with John Romita Sr. contributing to the cover design — the origin of Luke Cage, the first African-American Marvel superhero to headline his own series.
- Luke Cage was created in 1972 by Archie Goodwin, George Tuska, Roy Thomas, and John Romita Sr., with Billy Graham brought on specifically to ensure authentic representation of Black characters.
- The cover of SAM #1 is adapted from the cover of Power Man #50 (1978), placing Luke Cage front and center as one of the issue's three featured heroes.
- Superaventuras Marvel ran for 176 issues, from July 1982 to February 1997, with Daredevil appearing in nearly every issue as its editorial centerpiece — a legacy that flows from this debut number's story selection.
- The series' letters column in issue #1 already included a letter from Brazilian cartoonist Márcio Baraldi (printed as 'Baroldi'), reflecting the immediate cultural engagement the title generated.
Cast · 40 characters
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Full plot ⚠ may contain spoilers
▸ Reveal full plot — may contain spoilers
Maxwell Glenn morreu. O namoro entre Matt Murdock e Heather Glenn fica abalado especialmente quando ele se recusa a deixar de ser o Demolidor para poder ficar com dela. Com a necessidade de desabafar, Matt decide visitar a Viúva Negra, recém-chegada a Nova Iorque, porque ele acredita que ela entende as suas responsabilidades da sua vida dupla. Mas, ao chegar ao apartamento dela, o Demolidor descobre que ela foi raptada como parte de um plano do seu némesis, o Mercenário!
Plot details indexed by the Grand Comics Database (CC BY-SA).