The Comic Book History of Comics #[nn]
☆ Be the first to review + Add to your collection — Join freeThis collection traces the real-life story of the comic book medium itself, from its early newspaper strip origins through the Golden and Silver Ages and beyond. Written by Fred Van Lente and illustrated by Ryan Dunlavey, it covers key creators and characters like Jack Kirby, Walt Disney, and The Spirit's Denny Colt, while also touching on iconic figures such as Beetle Bailey and the Addams Family. It's a lively, fact-filled history told in comic form, perfect for fans wanting to understand how the industry evolved.
In "Funnies Get Famous," Fred Van Lente and Ryan Dunlavey bring to life the early days of animation and comics, spotlighting Jack Kirby’s time working for Max Fleischer. The story traces how Fleischer’s cost-conscious approach initially outpaced Disney’s, but shifting fortunes—labor struggles and the groundbreaking success of Snow White—shifted the industry’s balance by the end of the 1930s. Cover by Ryan Dunlavey.
A playful, fast-paced look at how comic art first captured the public's imagination, from the groundbreaking Yellow Kid to the dreamlike adventures of Little Nemo, all while tracing the parallel rise of animated cartoons through the work of Max Fleischer—perfect for anyone curious about how comics became a cultural phenomenon.
A playful dive into the roots of comic book fandom, this story traces how the wild, colorful world of pulp magazines sparked the imaginations of young Jack Kirby and Jerry Siegel—two future legends whose early fascination with adventure tales helped shape the medium. It highlights how those stories, with their over-the-top heroes and daring plots, eventually led Kirby to a pivotal role at Max Fleischer’s studio.
A young Jack Kirby, fresh from the drawing board, finds himself caught between the scrappy innovation of Max Fleischer’s studio and the rising dominance of Disney’s Snow White. This brisk, funny look at animation’s early days traces how Fleischer’s cost-saving tricks brought quick wins—until labor battles and shifting fortunes left the studio behind, even as its legacy lived on in the very cartoons that outshone it.
A young Joe Simon and Jack Kirby navigate the chaotic world of early comic book publishing under Martin Goodman, crafting the iconic Captain America with bold patriotism and daring flair. When tensions rise and creative differences spark a rift, their partnership faces a turning point that leads them to leave for DC Comics, convinced Stan Lee’s actions played a part in their departure.
"The House Of Fear" traces the cultural clash between William Gaines' bold horror and crime comics and the rising criticism led by Fredric Wertham, capturing a pivotal moment when comic books sparked both creative revolution and public panic.
This Isn't A Senate Hearing! This Is... Madness explores the wild ride of comic book censorship in mid-20th century America, tracing how fear, political pressure, and moral panic led to the fall of major publishers like EC Comics—and unexpectedly paved the way for the rise of Mad Magazine. With sharp wit and a keen eye for absurdity, the story unpacks how a single moment of outrage sparked a cultural reckoning that reshaped the industry forever.
A playful, illustrated deep dive into the birth of comic book fandom, this story traces how fans helped revive DC’s superheroes in the Silver Age and follows the curious reunion of Jack Kirby with Stan Lee—marking a pivotal moment in comic history.
A playful yet pointed look at Marvel’s 1960s rise, this story unpacks how Stan Lee became the face of the company in the public eye—while the creative forces behind the scenes, Jack Kirby and Steve Ditko, quietly stepped away, their contributions overshadowed by the spotlight.
"Pop" explores how Roy Lichtenstein’s bold art choices and the 1960s Batman TV show reshaped the cultural view of comic books, turning their visual language into something both celebrated and scrutinized. The story traces the unexpected journey of comic aesthetics from the page to the art world and back again.
"Heavy Mettle" traces the surprising rise of French comics from Tintin to Métal Hurlant, showing how a shift in the French marketplace helped pave the way for creator-owned stories in American comics—despite the initial decline of US titles in France.
A sharp, funny look at the comic book industry’s long history of legal fights, from Superman’s creators fighting for their rights to Jack Kirby’s struggle to reclaim his Marvel art—told with the kind of irreverent charm only this series delivers.
In "1986 AD," the year that reshaped the landscape of American comics is explored through the rise of Alan Moore’s groundbreaking work on Marvelman and Watchmen, sparking a wave of imitators and opening doors for a generation of British writers to find new opportunities in the U.S. market.
In "No More Wednesdays," the history of comic books unfolds with sharp wit and surprising heart, tracing the industry’s evolution from the rise of the direct market to the chaos of the 80s black & white boom, Marvel’s near-collapse in the 90s, and the looming shadow of online piracy—all through the lens of a single, stubbornly loyal fan’s perspective.
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↩ Reprints Comic Book Comics #3 (2008), Comic Book Comics #1 (2008), Comic Book Comics #2 (2008), Comic Book Comics #4 (2009), Comic Book Comics #5 (2011), Comic Book Comics #6 (2011)
Reprinted in The Comic Book History of Comics #1 (2016)
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