Vault of Horror #17
☆ Be the first to review + Add to your collection — Join free"Terror on the Moors!" in Vault of Horror #17 (1951) delivers a chilling tale of vanity and consequence, anchored in a haunting premise: a man commissions a voodoo bust of himself, only to find it aging while he remains unchanged. Written by Al Feldstein and Bill Gaines, with moody art by Jack Kamen and lettering by Jim Wroten, the story unfolds with a slow-burning dread as the bust’s unnatural decay mirrors the unraveling of George Baker’s life. The cover by Johnny Craig captures the story’s eerie tension, a stark image of a man frozen in horror—perfect for fans of EC’s classic horror anthology style.
In "Terror on the Moors!", an American tourist named Jim Ryan takes shelter in a remote estate during a fog-laden night, only to find himself entangled in a grim mystery when the reclusive owner, Andrew Clymore, reveals his dying wish to be cremated. As Ryan helps prepare the pyre, the estate’s servant Evers warns him of a terrible secret locked in a barred room—and the monstrous creature that once was Clymore’s child. The Vault-Keeper invites you to step into the chilling heart of the moors, where duty and dread collide.
In the biting cold of a snowbound winter, new superintendent Barton Gordon arrives at a decaying apartment building to take up his post—only to find its landlord, Marcus Kingsley, living in a frigidly air-conditioned apartment that defies the storm outside. When the AC unit fails and a grotesque, flesh-like substance begins seeping from under Kingsley’s door, Gordon must confront the unsettling truth behind the building’s frozen silence.
In "The Beast of the Full Moon!" from Vault of Horror #17 (1951), Tom Kellogg arrives at his brother Andrew's isolated home, uneasy after finding strange footprints and learning of another werewolf killing. Determined to protect himself and his fiancée June, Tom sets a trap with silver bullets, only to be startled when a monstrous hand reaches for him—just as a shot from above ends the threat. Climbing out of the pit, Tom confronts the horrifying truth: Andrew is the beast, and June’s body lies below.
In the shadows of Haiti, George Barker commissions a voodoo bust of himself—only to regret the choice when the statue begins to age while he remains unchanged. As years pass and his life unravels, the bust’s twisted transformation mirrors a growing dread he can’t escape. When a young woman arrives at his door, drawn by a past he’d rather forget, the line between obsession and horror blurs—until the final, chilling twist reveals what the bust has truly become.
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Reprinted in Vault of Horror #17 (1951), The Vault of Horror #1 (1982), Iskalde Grøss #1/1989 (1989), Iskalde Grøss #8/1991 (1991), Iskalde Grøss #1/1992 (1992), Vault of Horror #6 (1994), Biblioteca Grandes del Cómic: Clásicos del Terror de EC #6 (2003), EC Archives: The Vault of Horror #1 (2007), The Fantagraphics EC Artists' Library #16 (2016), The Fantagraphics EC Artists' Library #17 (2016), The Fantagraphics EC Artists' Library #20 (2017), The Fantagraphics EC Artists' Library #23 (2018), The EC Archives: The Vault of Horror #1 (2021), The Wolfman #[nn] (2024)
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