Vault of Horror #39
☆ Be the first to review + Add to your collection — Join free"Deadly Beloved!" in Vault of Horror #39 (1954) delivers a chilling twist on performance and deception, set in the eerie atmosphere of a carnival. A seemingly unassuming clown, Grendat, orchestrates a murder in plain sight, only to meet a grim fate during his own act—his final moments haunted by a single, mocking word from the crowd. Johnny Craig’s striking cover art, both pencils and inks, captures the story’s macabre tone, while the typeset lettering and spot illustrations by unknown hands add to the vintage EC horror aesthetic.
In the heart of the bayou, Edward Leeds stumbles upon a ruined mansion and a hauntingly beautiful woman named Eloise, who claims her family perished in a fire. As she guides him through the decaying halls, each step brings new dangers—and a growing sense that something is terribly wrong. When the truth begins to unravel, Edward must confront a love that defies death itself.
In the shadowy entrance of the Woltam Theatre, three actors—Blye, Nash, and Winton—find themselves drawn into a surreal rehearsal of Hamlet, only to face a missing prop and mounting tension. When Winton is chosen to replace one of his rivals, jealousy ignites, leading to a deadly turn. As the production spirals into madness, the truth behind the theater’s gruesome props begins to surface—revealing a chilling reality where performance and madness blur.
In a tale of dark enchantment and hidden truths, King Horace is summoned to the cell of the mysterious Alicia, who claims to be possessed by the devil and begs for deliverance. With time running short and his life on the line, the King turns to his court wizard for help, setting in motion a perilous seven-day trial of magic and courage. As the ritual unfolds, a fragile bond forms between the King and the woman he seeks to save—though their fated union hides a secret that will test the very limits of love and loyalty.
In "All for Gnawt," a desperate Millie Mumford seeks one last fortune through marriage, lured by an ad from an elderly man with a fortune to spare—only to discover his home is a rat-infested tomb where past wives met their end. With the Old Witch as host, the story unfolds in chilling suspense as Millie’s greed collides with a predator who’s already claimed four others.
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Reprints
Reprinted in The Vault of Horror #5 (1982), Gysertimen #4 (1987), Opiumdroom #[nn] (1990), Iskalde Grøss #6/1991 (1991), Iskalde Grøss #8/1991 (1991), Iskalde Grøss #6/1993 (1993), Vault of Horror #28 (1999), The Fantagraphics EC Artists' Library #21 (2018), The Fantagraphics EC Artists' Library #29 (2021), The Fantagraphics EC Artists' Library #33 (2023), The Fantagraphics EC Artists' Library #35 (2024)
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