Web of Mystery #18
☆ Be the first to review + Add to your collection — Join freeThis anthology issue contains at least two stories: "Out of Blackness They Come!" follows two men who explore darkness and discover they can create infinite blackness using combined lights of different colors and intensities, leading to a supernatural climax involving ghostly creatures. A second tale involves a theatrical agent and performers including a character named Skane, where a trick gun with bullet holes is used in a stage act, culminating in a revelation that Skane is undead. A third story features a character named Bertie Evans who, after drinking too much grog at a bar, encounters ghostly sea creatures and a large aquatic monster while fleeing through foggy streets.
In a fog-drenched French sea port, fishermen battle monstrous merman-creatures rising from the deep, their eyes glowing like drowned stars. Only old Fernande survives the night, her hands trembling as she places a severed finger from the sea's horror on display—its red-tinted flesh still pulsing under the light.
In the shadowed world of the traveling circus, where secrets are as thick as the sawdust on the big top floor, Sideshow freak Bruno receives a new tattoo—a devil’s figure inked in dark, unnatural lines. The moment it’s done, a cold dread settles over him, and the mark begins to twist, tightening like a living noose. The story of how a simple design becomes a death sentence still chills those who hear it, whispered only in hushed tones beneath the flickering lights of the midway.
In "Out of Blackness They Come!", two scientists venture into a realm of endless darkness, where demons stir and the devil holds court. Trapped in a place where light is forbidden, they must find a way back—using only a single flashlight to defy the shadows and the horrors within.
In a forgotten corner of the far east, a native guide leads two European men into a long-abandoned Indian temple, drawn by whispers of hidden treasure. As they search the crumbling halls, their greed awakens something ancient—and the temple’s final guardian is far more than stone.
In a 1953 tale of eerie spectacle, Professor Skane puts on a macabre stage act featuring a zombie who can't be killed—until a female zombie companion, representing the undead's union, arrives to shut down the exploitation. With eerie precision and a chilling sense of justice, she makes her presence known in a way that leaves the stage—and the audience—unforgettable.
In 1787 London, a down-on-his-luck drunkard named Bertie stumbles upon a cursed instrument—the devil's harp—and finds sudden fame as a musician. As his talent draws crowds and royal acclaim, the music begins to carry a darker tune, one that summons unseen horrors from the shadows.
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Reprints
Reprinted in Tales of Voodoo #2 (1971), Terror Tales #2 (1971), Horror Tales #3 (1971), Haunted Horror #18 (2015), The Chilling Archives of Horror Comics! #14 (2015), The Chilling Archives of Horror Comics! #18 (2016), The Chilling Archives of Horror Comics! #24 (2018), The Chilling Archives of Horror Comics! #23 (2018)
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