Cheyenne Kid #33
☆ Be the first to review + Add to your collection — Join freeThis anthology issue features three Western stories: "Holdup," in which the Cheyenne Kid pursues thieves who have stolen from the Sioux and must stop them before they escape; a tale involving a Pawnee princess and romantic conflict with the Cheyenne Kid, who refuses to chase her when she threatens to go to the Sioux; and a story set at a hotel where the Cheyenne Kid becomes involved with a woman named Miss Medea and encounters various criminals and con artists, including references to Italian opera singers and other schemes. The issue showcases typical Charlton Western action and adventure from the early 1960s.
The Cheyenne Kid rides scout through tense Pawnee-Sioux territory, determined to prevent the ancient enemies from rekindling their centuries-old war—but when a Sioux war chief sets his sights on a Pawnee maiden and offers a herd of ponies for her hand, the Kid must navigate tribal customs and fierce pride to find a way out of a conflict that threatens to ignite the whole region. With both tribes on the brink and a young woman caught between duty and desire, the Cheyenne Kid discovers that stopping a war might require him to become the target instead.
Three gunmen—Grudge, Eddy, and Tumbler Welles—set up an ambush in a barber shop, planning to gun down a Texas Ranger when he rides into town. But the Ranger has already arrived and been waiting with the nervous barber since sunrise, turning the tables on the would-be killers in "A Close Shave."
The Cheyenne Kid rides into the badlands to check on four cavalrymen, but outlaws ambush him and leave him for dead—stealing the army payroll in the process. Wounded and alone, the Kid tracks the thieves to an abandoned shack and devises a way to reclaim the saddlebags and bring the hardcases to justice.
Dave Elliot, a city lawyer struggling to earn respect in the rough-and-tumble town of Pierce City, finds himself the persistent target of the local bully's mockery. Determined not to be driven out, he secretly trains with a pair of revolvers to stand his ground when the time comes.
The Cheyenne Kid rides into the mining camp of Axhandle to help an old friend, only to find himself caught up in the troubles of Teresa Medea, an opera singer stranded in town after her manager abandoned her for gold. When a saloon owner tries to drive her out, the Kid takes matters into his own hands—arranging for her to perform American songs and confronting the man responsible for more than just her career troubles. It's a Western tale where quick draw and quick thinking both have their place.
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Reprints
Reprinted in Les Héros de l'aventure spécial #5 (1968), Les Héros de l'aventure #54 (1969), Gwandanaland Comics #3158 (2021)
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