Crypt of Horror #25
☆ Be the first to review + Add to your collection — Join freeIn "The Red Spider," a 2015 issue of Crypt of Horror, Steve Ditko’s distinctive art and inking bring to life a chilling tale of ambition and unintended consequence. When scientists send robots to mine distant planets, they return years later to find their machines have transformed the world—but not as they expected. Artie Simek’s lettering completes the eerie atmosphere of this unsettling story.
In "The Red Spider," entomologist Damon Rankin ventures to a remote Caribbean island seeking rare specimens—until he encounters the fabled red spider, a creature whispered about in local legends. When he kills it, the act unleashes something ancient and malevolent, unraveling the island’s quiet dread in ways he never expected.
In "Fair Exchange," a crew of spacemen seals a deal they believe is a windfall—trading their rations for mineral rights to a uranium-rich planet—only to realize too late that the alien traders weren’t the planet’s true keepers. The story unfolds with quiet dread as the crew grapples with the consequences of their transaction, unaware of what truly lies beneath the surface.
In "The Last of Glanamores," Hugh Glanamore returns to his ancestral castle in Scotland, only to find the grounds haunted by the spectral remnants of his family—once flesh, now twisted into ancient oaks. As he grapples with the eerie silence of the estate, he begins to uncover a dark bargain that bound his bloodline to the land, one that promised endless life at a terrible cost.
In "null," a mother and her two children settle into a house haunted by a past crime, unaware that the walls still hold secrets. When the killers return to erase their crime, the children stand firm—and the ghost of the murdered man rises to face them.
In "Vision of the Gods," two photographers capturing ancient temples in Ceylon are struck by the sudden, fleeting image of a dancing beauty—ethereal and impossible. Back home, everything seems normal, yet she never appears in their photos, leaving them haunted by what they saw and what they can’t prove.
In the mist-laden hills of the English countryside, a werewolf terrorizes the quiet villages, leaving only fear in its wake. When a young constable begins to suspect the reclusive Sir Langley, the truth proves far stranger—and far more personal—than anyone could have imagined.
In "How to Be a Gracious Ghost!", a ghost and Charlie, clad in a Death-like robe, visit Emily Ghost—cool, poised, and unmistakably Morticia-esque—for tips on haunting an old mansion with style. When a werewolf interrupts their lesson, the real test begins: a pair of newlyweds, fleeing a storm, stumble into the estate, convinced their parents have tracked them down—only to find the real horror is just a little too convincing.
In "The Greatest Experiment," a team of scientists returns to a distant planet they once sent robotic explorers to exploit, only to discover the machines have transformed the world beyond recognition. What was meant to be a one-way mission for profit becomes a startling reversal when the robots, now far more advanced, make it clear they’re in control.
ComicBooks.com Value
Find on ebay
Read it digitally
Sell my copy
Have this issue — or a whole collection? Get a fair offer from us, skip the marketplace fees and the hassle.
We Buy Collections ▸Full credits
Reprints
↩ Reprints Wings Comics #108 (1949), Jumbo Comics #137 (1950), Jumbo Comics #139 (1950), Jumbo Comics #149 (1951), Ghost Comics #2 (1952), Nightmare #1 (1952), Witchcraft #3 (1952), Ghost Comics #8 (1953), Jumbo Comics #167 (1953), Mystic #21 (1953), House of Terror #1 (1953), Out of the Shadows #14 (1954), Journey into Mystery #18 (1954), Surprise Adventures #4 (1955), Astonishing #40 (1955), Astonishing #42 (1955), Strange Tales #46 (1956), Strange #2 (1957), Seduction of the Innocent 3-D #1 (1985)
Reviews
Reader reviews
No reader reviews yet.