Golden-Age Greats Spotlight #20
☆ Be the first to review + Add to your collection — Join freeIn "The Amazon Witch Doctor," Private Jack Weston is pulled into a mystery in Egypt after a dying agent's final words—“The Mummy lives!”—lead him to a hidden temple. There, he encounters a German-speaking local and uncovers a mummy of Rameses II who rallies followers against Allied forces. With art by Phil Bard, this Golden-Age Greats Spotlight tale blends espionage and ancient secrets in a twisty, atmospheric adventure.
In "The Amazon Witch Doctor," a mysterious figure known as Mumbo Jumbo rallies the native workers on a rubber plantation, warning that the owner’s relentless harvesting of the jungle’s trees will summon dire consequences. As tensions rise between the villagers and the plantation, the line between superstition and something far more dangerous begins to blur.
When the Mayor claims to have seen leprechauns, his credibility crumbles—just as Mary arrives at the city orphanage to help launch the shoe drive meant to supply needy children with new shoes. With public doubt spreading and the Mayor’s resignation looming, the entire event hangs in the balance.
In "null," Spy Smasher zeroes in on a suspicious acquittal when Baron Grimm walks free from a treason trial, leading him on a perilous trail to Lisbon. There, he uncovers a desperate hostage situation involving the judge’s sister, forcing him into a fight against overwhelming odds to save her—though Grimm vanishes before justice can be served.
In "Minute Man Meets the Mummy," a coded distress call from Egypt pulls Private Jack Weston into a mystery tied to a dead intelligence agent and a chilling final whisper: "The Mummy lives!" When he crosses paths with an Arab man who speaks fluent German, the trail leads to a hidden temple where the legendary Rameses II—alive and speaking to a devoted following—claims to guide resistance against Allied forces. Written by an unnamed author and illustrated by an unnamed artist, the story unfolds with a blend of wartime intrigue and ancient mystery, culminating in a shocking twist that redefines the true nature of the mummy.
In "Life of the Shark," Captain Midnight is drawn into a real-life mystery when tasked with making a film about the infamous Ivan Shark—only to learn the criminal is very much alive. With his trusty mechanical bloodhound at his side, Captain Midnight sets out to track down the elusive fugitive, unraveling a case that blurs the line between legend and reality.
In "Music of Madness," Albert Dorrin, a gifted violinist rejected for a world symphony orchestra due to rumors of madness, channels his anguish into a shocking transformation—becoming the Spirit of Mad Music, a force that unleashes chaos through sound. Written by a noted hand and illustrated with striking intensity, the story explores the thin line between genius and madness, where every note carries a dangerous power.
In "Win, Place and Death," a young jockey’s brutal murder sends shockwaves through the racing world, prompting Brian to take a bold, high-stakes gamble: he trains Pinky, a horse with a surprising past, to take the rider’s place in the next big race. With danger lurking in the stands and the track itself, the race becomes a tense showdown where only the fastest and most cunning will survive.
In "The Weeper," the Flying Detectives track a disgraced circus performer once known as the Crying Clown—now calling himself the Weeper—whose past betrayal has fueled a campaign of revenge. Written by a noted hand and illustrated with haunting precision, the story unfolds in the shadowed tents of a fading carnival, where every tear may hide a secret.
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↩ Reprints Whiz Comics #13 (1941), Master Comics #16 (1941), Master Comics #23 (1942), Whiz Comics #27 (1942), Master Comics #36 (1943), Wow Comics #35 (1945), Whiz Comics #83 (1947), Wow Comics #56 (1947), The Marvel Family #22 (1948), Master Comics #92 (1948), Captain Marvel Adventures #90 (1948), Captain Marvel Jr. #107 (1952), Master Comics #127 (1952), Men of Mystery Comics #72 (2008), Men of Mystery Comics #75 (2008)
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