Good Girl Art Quarterly #10

In "Mudslinging!", Miss Masque takes on Hildago Romero’s televised smear campaign against the Femforce, stepping in when General Gordon blocks the team’s access to the airwaves. What begins as a defense of her allies quickly devolves into a chaotic mud wrestling match with Madame Boa—no punches thrown, just slippery, messy showdowns in the spotlight.

In "Flyin' with a Lion," Ginge’s quiet diner break takes a wild turn when a lion strolls in—prompting a frantic dash to hide in an airplane, only to find the beast isn’t the only one chasing her. Caught between two rival gangs, she’s suddenly the unexpected center of a chaotic showdown, her unexpected connection to the lion turning heads and escalating the mayhem.

In "null," Agent Decker infiltrates a criminal ring by posing as Joan's father, weaving a fragile trust with a young woman caught in a dangerous web of deception. Written by an unknown author and illustrated by an unknown artist, the story unfolds with quiet tension as lies become the only language that gets them both closer to the truth.

In "The Substitute Cinderella!" from Good Girl Art Quarterly #10, Chloe Tristram finds herself falsely accused of crimes she didn’t commit, her alibi crumbling under the weight of eyewitness testimony—until she reveals a startling secret: she has an identical twin sister. The story unfolds as the truth begins to unravel, but the full picture remains hidden.

In "The Mermaid Gig," Torchy puts her swimming skills to the test when Ed convinces her to wear a mermaid tail for a speed challenge—only to accidentally snag a fishing line, fooling a fisherman into thinking he’s caught a real mermaid. The story’s playful twist turns a simple swim into a hilarious misunderstanding, all in the spirit of Good Girl Art Quarterly’s lighthearted humor.