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Masterpiece Comics #[nn]
This collection reimagines classic works of literature through the lens of iconic comic strips and cartoon styles, blending highbrow narratives with lowbrow visual humor. Each story adapts a literary masterpiece—such as Moby-Dick, The Odyssey, or The Great Gatsby—in the distinct artistic manner of a famous comic artist or strip, from Peanuts to Krazy Kat. The result is a playful, clever homage that celebrates both the source texts and the history of comics as an art form.
"Ève la blonde" reimagines Albert Camus' L'étranger as a series of eight Action Comics-style covers, with the novel’s protagonist rendered as Superman. Written by R. Sikoryak and Ludivine Bouton-Kelly and illustrated by Sikoryak, the issue blends literary homage with classic comic aesthetics, using the iconic superhero as a visual metaphor for the stranger’s alienation. The cover by Robert Sikoryak captures the surreal, stylized tone of the entire project.
In "Candiggy," Ziggy—dressed in an exaggerated 18th-century tailed wig—navigates a war-ravaged Europe, his absurd style at stark odds with the grim backdrop. Rendered in stark black and white with intricate hatching reminiscent of old engravings, the story unfolds with a dry, satirical edge.
In "Petit Dori au Pays du Portrait," little Dori sits for a portrait by Basil, only to make a curious wish: that he stay young and handsome while the painting ages in his place. When he meets the charming Lord Henry, Dori is swept into a life of indulgence—each reckless choice slowly transforming the portrait in ways that surprise even him.
In this satirical twist on Albert Camus’ *The Stranger*, the existential journey of Meursault unfolds across eight hyper-stylized covers reminiscent of classic *Action Comics* issues—each one reimagining the novel’s pivotal moments through the lens of Superman’s iconic superhero aesthetic. The story plays with tone and form, blending literary absurdity with comic book grandeur, as the lone figure of Meursault becomes a surreal, costumed presence in a world that doesn’t understand him.
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↩ Reprints Raw #1 (1989), Snake Eyes #1 (1990), Raw #2 (1990), Snake Eyes #2 (1992), Drawn & Quarterly #3 (2000), Monkeysuit #2 (2000), Drawn & Quarterly #4 (2001), Reveal #1 (2002), Drawn & Quarterly #5 (2003), Hotwire #1 (2006), Hotwire #2 (2008), Masterpiece Comics #[nn] (2009)
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