Race for the Moon #1
☆ Be the first to review + Add to your collection — Join freeIn "Asylum," a chilling moment of panic unfolds as a couple watches a terrifying TV broadcast of an alien invasion—only to realize too late that the horror they've just witnessed was a fictional drama. The story captures a moment of genuine dread, grounded in the unsettling power of media and the fragility of perception. Art by Bob Powell and lettering by Joe Rosen bring the tension to life, while the cover by Jack Kirby, Joe Simon, and Marvin Stein sets a bold, cinematic tone.
In "Asylum," a centuries-old practice of exiling the criminally insane to a distant world takes a shocking turn when Earth—long thought to be a forgotten backwater—responds to the interstellar call with a force far more advanced than anyone expected. The mission sent to retrieve the condemned is met with a response that redefines what it means to be human.
In "Disc Jockey," Sam Webb, a stubborn and notoriously unpopular disc jockey, refuses to leave the airwaves—even as his torment turns cosmic. When his endless broadcasts finally drive the Martians to intervene, they arrive not with weapons, but with a very literal take on "shutting him down."
In "The Invasion" from Race for the Moon #1 (1958), Jo and her partner are glued to the TV as a dramatic news report warns of an alien attack—Earth’s defenses crumbling in minutes. Panicked, they grab what they can and flee their home, only to learn moments later that the whole thing was just a fictional broadcast titled *The Invasion From Mars!*—a chilling twist that lingers long after the screen goes dark.
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Reprints
↩ Reprints Black Cat Comics #46 (1953), Witches Tales #21 (1953), Black Cat Comics #47 (1953)
Reprinted in Race for the Moon #1 (1959), Race for the Moon #1 (1962), Shocking Tales Digest #1 (1981), America's Greatest Comics #13 (2005), The Simon and Kirby Library #[nn] (2013), Race for the Moon #1 (2016), Gwandanaland Comics #619 (2017)
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