Tales from the Crypt #6
"Concerto for Violin and Werewolf" delivers a chilling twist on a classic revenge plot in this standout 1991 issue of Tales from the Crypt. Written by Jack Oleck and brought to life with stark, expressive art by Bernie Krigstein—his inks lending the story a haunting, almost cinematic weight—this tale unfolds in a diner where betrayal and dread collide. The cover, a striking piece by Jack Davis, captures the story’s eerie tension perfectly.
In "Concerto for Violin and Werewolf," a young violinist travels to Transylvania to track a rumored werewolf, hoping to turn the hunt into a legendary performance. But as he delves into the countryside’s shadows, one unsettling question lingers: if the beast is real, why does it hunt alone?
In "By the Dawn's Early Light," Frank and Earl make a desperate plan to destroy a vampire, relying on the old myth that sunlight kills the undead. With the clock ticking and Frank convinced dawn is near, they race to stake the creature—only to realize too late that his watch, still set to a different time zone, has misled them entirely.
In "The Bath," a chilling tale from Tales from the Crypt #6 (1991), a merciless hunter named Pedro demands a ritual hot bath after each kill—just to cleanse himself of the "filth" of his victims. His loyal servant, tired of serving a monster, quietly turns the bath into something far more dangerous. With a single, deliberate act, the servant sets the stage for a gruesome reckoning.
In "Hoodwinked!", Chet’s patience snaps when his scheming brother Leon not only drains him financially but crosses the line by pursuing Chet’s fiancée—leading to her tragic death. With a quiet fury, Chet resolves to give Leon one final, gruesome gift: a custom hood ornament made from his head. The story unfolds with chilling precision, blending domestic dread and dark irony in a tale where revenge takes a very literal form.
A new librarian in a quiet town lives in terror, convinced she’s the next target of a local maniac who’s already killed seven men. As paranoia grows and the nights stretch long, her fear begins to twist in ways she can’t explain—until the truth reveals itself in a chilling, unexpected light.
In "Good Boy," a desperate father's love takes a dark turn when his son Paul's descent into crime pushes him to extreme measures. With a quiet, unsettling resolve, Jim Ward tries to keep his boy close—no matter the cost.
In "Just Her Speed," a desperate Ed corners Marty in his diner, ready to settle a score—only for Marty to play a dangerous game of cat and mouse, counting on a nightly ritual to save him. As the cop arrives for his usual late-night snack, Ed’s rage turns to shock when the officer is forced to chase a speeding car, leaving Marty momentarily safe. The tension crackles in the quiet diner, where every second feels like a countdown.
In "Where There's Smoke...", Ed's crumbling marriage to Mae reaches a breaking point as he grows drawn to the young Alma—only to be shaken by the sight of her fiancé, a strong, imposing man. Torn between resentment and regret, Ed returns home, ready to accept his fate with Mae. But Mae’s quiet demeanor hides a secret of her own, and the smoke of betrayal begins to curl in ways neither of them expected.
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Reprints
↩ Reprints Tales from the Crypt #42 (1954), Crime SuspenStories #27 (1955)
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