Crypt of Horror #12
☆ Be the first to review + Add to your collection — Join freeIn "Cat's Death," Edgar Clay seeks solace at his wife Miriam’s grave, mourning her sudden death from a cliffside fall. As night falls, he witnesses the cemetery’s dead rising—each rewriting their epitaphs to expose hidden truths about their lives. Shocked, he sees Miriam’s stone change, revealing she was waiting for another man when she fell. Art by Sal Trapani, with inks by Sal Trapani.
In "Map of Doom," a newlywed couple stumbles upon an ancient World Atlas from 79 A.D. hidden in a sinister old house, only to discover that altering any map within it causes the corresponding real-world location to change—sometimes catastrophically. As they test the book’s power with growing unease, their curiosity turns into a dangerous game of control, using the atlas to manipulate global events.
In the frozen reaches of Northern Canada, a uranium expedition stumbles upon ancient Viking relics, heedless of their guide Arnook’s warnings about the Golden Sword of the Spirits. As the team presses forward into the ice, they uncover a long-buried ship—and with it, something far older and far more dangerous than they ever imagined.
In "The Thing from the Sea," a brutal murder at sea sets a chilling course when the drowned victim, Eddie Murray, begins a slow, relentless journey back to shore—driven not by vengeance, but by a quiet, unyielding pull toward the one he loved. As the killer courts Eddie’s sweetheart, the dead man’s presence grows heavier beneath the waves, and the line between memory and menace begins to blur.
In the quiet town of Maple Valley, an art competition takes a dark turn when Ezra Vale’s haunting painting of a monstrous beast draws more than just attention—it draws the thing itself. When the judges are attacked and Vale vanishes into the nightmare world he once painted, the line between art and terror blurs in ways no one could foresee.
In "Epitaph!", Edgar Clay finds himself haunted not by ghosts, but by the quiet, terrible truth of his wife Miriam’s final days. After her death, he visits her grave in the moonlit cemetery, only to witness the dead stirring—rewriting their epitaphs to expose long-buried secrets. When Miriam’s stone begins to shift, revealing a truth far darker than grief, Edgar is forced to confront a past he never knew.
In "Life Insurance," Jo stumbles upon an eerie ad for Obelisk Life Insurance, where the gaunt, unsettling owner promises eternal life—no death, ever. Thrilled by the prospect of immortality, Jo signs up, only to face a brutal car accident that leaves them blind, deaf, and trapped in a shattered, unkillable body.
In "Grip on Life," a district attorney’s dark secret unravels when his wife—thought dead after a tragic car accident—returns with a chilling calm. As the line between past and present blurs, her quiet presence becomes a haunting reminder of a love that never truly died.
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Reprints
↩ Reprints A Star Presentation #3 (1950), Strange Worlds #2 (1951), Strange Worlds #3 (1951), Eerie #2 (1951), Eerie #3 (1951), Witchcraft #1 (1952), Out of the Night #2 (1952), Witchcraft #2 (1952), Strange Worlds #8 (1952), Chamber of Chills Magazine #13 (1952), Strange Terrors #4 (1952), Forbidden Worlds #14 (1953), Adventures into the Unknown #41 (1953), Strange Terrors #7 (1953), House of Terror #1 (1953), Weird Horrors #9 (1953), The Unseen #12 (1953), Nightmare #10 (1953), Weird Mysteries #9 (1954), Nightmare #12 (1954), The Clutching Hand #1 (1954), Weird Mysteries #11 (1954), Loco #2 (1958), Haunted Tales #2 (1973)
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