Hall of Fame #[14]
In "Fru Florelius' ripsbusker og andre buskvekster," Donald Duck takes on a new role as a mentor at Hakkespettbladet, guiding a group of eager young reporters—only to quickly reveal that his methods are anything but ethical. Written by Gail Renard, Tom Anderson, Espen Hagerup, and Henning Hagerup, and illustrated by Daniel Branca, this 2006 issue from Hjemmet / Egmont features a sharp, humorous look at journalism gone off the rails, with Branca's distinctive art bringing the chaos to life.
When Donald's love for soda takes a turn for the worse—leaving him grumpy and out of shape—Dolly steps in with a no-nonsense solution: jogging. As the unlikely duo hits the pavement, Donald must face the consequences of his fizzy habits, one breathless step at a time.
When Skrue hires Donald as a secretary apprentice and Magica arrives at the money vault to spread good vibes, chaos erupts—especially after Magica catches wind of the luck imbalance. In response, Skrue shuts down all flights to Vesuvio, setting the stage for an unpredictable chain of events.
In "Dobbelt så effektivt," Magica uses her magic to create a duplicate of herself in a bid to steal the luck charm, but things quickly spiral when she loses control over her double. What begins as a clever scheme turns into a chaotic magical showdown as the two versions of Magica clash in a battle of wits and spells.
In "Reklamekamp," Donald and his nephews run a quirky ad studio where creativity meets chaos. When they’re hired to make a commercial for cat treats, Donald dreams of winning the coveted Amandus Prize—only to find his nephews might steal the spotlight.
In "Stjernereporteren," Donald Duck takes on a new role as a star reporter at Dagens Grafs, but his unorthodox methods soon put him at odds with journalistic standards. When a group of young interns begin their training at Hakkespettbladet, Donald is assigned as their guide—leading to chaos as his sensationalist approach clashes with the principles of honest reporting.
In "Hva er det med 65?", Donald lands a role in a hidden-camera TV show, but his attempts to prank unsuspecting bystanders backfire in hilariously awkward ways. With his usual mix of enthusiasm and clumsiness, he quickly turns the spotlight on himself—much to his dismay.
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Reprints
↩ Reprints Donald Duck & Co #33/1979 (1979), Donald Duck & Co #36/1979 (1979), Donald Duck & Co #38/1980 (1980), Donald Duck & Co #7/1981 (1981), Donald Duck & Co #30/1981 (1981), Donald Duck & Co #32/1981 (1981), Donald Duck & Co #40/1981 (1981), Donald Duck & Co #19/1982 (1982), Donald Duck & Co #30/1982 (1982), Donald Duck & Co #39/1982 (1982), Mikke Mus #11/1982 (1982), Donald Duck & Co #17/1983 (1983), Donald Duck & Co #26/1983 (1983), Donald Duck & Co #27/1983 (1983), Donald Duck & Co #28/1983 (1983), Donald Duck & Co #7/1984 (1984), Donald Duck & Co #31/1984 (1984), Donald Duck & Co #39/1984 (1984), Donald Duck & Co #5/1985 (1985), Donald Duck & Co #36/1985 (1985), Donald Duck & Co #42/1985 (1985), Donald Duck & Co #50/1985 (1985), Skrue Pocket #26 (1987), Donald Duck & Co #53/1987 (1987), Donald Duck & Co #30/1988 (1988), Donald Duck & Co #31/1988 (1988), Donald Duck & Co #22/1990 (1990), Donald Duck & Co #42/1990 (1990), Donald Duck & Co #39/1994 (1994), Donald Duck & Co #44/1994 (1994), Donald Duck & Co #4/1995 (1995), Donald Duck & Co #12/1997 (1997), Donald Duck & Co #46/1997 (1997), Donald Duck & Co #47/2001 (2001), Donald Duck & Co #48/2001 (2001), Onkel Joakim #19/1983, Onkel Skrue #36
Reprinted in Donald Duck & Co #17/2010 (2010), Bilag til Donald Duck & Co #15-16/2014 (2014), Donald Duck beste historier #3/2015 (2015), Donald & jeg #[nn] (2018), Klassisk Donald Duck #23 (2020)
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